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When BR549 took a hiatus three years ago, frontman Chuck Mead found inspiration in another form of collaboration, as a staff songwriter for Ten Ten Music Group, a Nashville publishing house. All the songs on his first solo effort, the self-released "Journeyman's Wager," except for a George Harrison-penned Beatles cover, come from that fruitful stint.

Mead says he still has a deal with Ten Ten, but he is no longer drawing a salary. "It was great because I learned how to sit in a room with someone with a blank piece of paper and come out with something. It's pretty intimate thing to do, and some experiences are better than others, but given the right person you can come out with something pretty damn good like that with a couple of people bouncing ideas off each other."

"There's a craft to it," he says, "but there's also learning from the other person and incorporating it into your own writing that you maybe consider too personal to write with anybody else."... »»»

The first notes of The Greencards' "Fascination," the title track of their third CD, announce a new direction for the band formerly associated with the next wave of bluegrass. The song starts softly, almost imperceptibly before the mandolin strings are carefully plucked and the vocals of Carol Young soar in, smooth and confident.

Young, founding member, songwriter and primary vocalist for the Greencards, explains why the band wanted to change gears on their first CD on Sugar Hill Records.

"We've been playing together for a bit more than six years," says Young by phone while her tour bus is on the way to St. Louis. Her voice has the familiar Aussie cheerful lilt and bares little resemblance to the nuanced chanteuse on the albums. "There is a creative aspect that grows. You really have no power over that. It just happens. We love playing music, and we love playing live shows, and pushing ourselves every night is a big part of it. And while we love traditional music and... »»»

There's a hardscrabble folk-rock vibe on "Roadhouse Sun," the new Lost Highway album from Ryan Bingham and The Dead Horses. When asked Bingham about that sound and the equally tough songs, he replied that it comes from what he knows, what's comfortable.

The songs are stories. With the Dead Horses backing him up, Bingham is allowed to create some beautiful music, as is evidenced on songs like the dreamy Bluebird and straight-to-the-heart Tell My Mother I Miss Her So. "Songwriting is a way of getting things off my chest," Bingham says.

Fresh off the road for a few weeks, Bingham, 28, is back at his home in Topanga Canyon, a place in the Los Angeles area that has been home to hippies and rock-n-rollers for years and now counts New Mexico native Bingham as a resident. Interestingly, on his new album, he features a new song called Roadhouse Blues on "Roadhouse Sun." It's rumored that Jim Morrison of The Doors wrote his Roadhouse Blues about Topanga Canyon.... »»»

In some ways, the summer will bring with it all the activities that an 18-year-old high school graduate and musician like Sarah Jarosz might expect. She received her diploma, graduated with honors, accepted a scholarship to attend the prestigious New England Conservatory of Music in Boston in the fall, and she will be playing at music festivals all summer. Oh yes...and she just released her first album on Sugar Hill Records, featuring performances by Nickel Creek virtuoso Chris Thile, bluegrass legend Del McCoury and Stuart Duncan.

Jarosz was raised in Wimberley, Texas, just outside the live music hub of Austin. Her mother played rhythm guitar and wrote songs, and her parents exposed her to all kinds of music - from rock and blues to country and bluegrass. The young Jarosz showed an interest and talent for music almost immediately; she began playing banjo and singing at 2 years old, picked up piano at 10 and slowly added clawhammer banjo, mandolin and guitar to her musical arsenal.... »»»

Alecia Nugent is quick to point out that there's more than a little irony in the title of her third album. Around the time her second album, "A Little Girl…A Big Four Lane," hit the stores, prominent Music City journalist and critic Robert K. Oermann dubbed her a "hillbilly goddess" (which he reaffirms in his liner notes for the new disc), and the sobriquet has stuck to her since, despite the fact that her central Louisiana hometown of Hickory Grove is singularly lacking in hilltops and hollers.

Taking advantage of the opportunity to try out her own developing talents as a tunesmith, she co-wrote the album's title track with Sonya Kelly and Carl Jackson, who continues as her producer. An up-tempo testament to the virtues of the kind of gal who prefers the Tennessee version of Paris to the French one, Nugent laughs as she agrees that the song was a blast to write.

"We toyed with the idea of writing the Hillbilly Goddess song for a while because I was afraid that... »»»

When Dave Alvin thinks back on the single tragic event that sparked his two latest albums, he recalls teetering on the edge of believing that it happened at all.

"This kind of got started as a reaction to the death of my best friend Chris Gaffney, who was a singer, songwriter, accordionist, guitarist and my spiritual advisor," says Alvin. "He'd been playing with my band, the Guilty Men, for years when he wasn't playing with his band, the Hacienda Brothers. So, the first couple of gigs that we did after Chris passed away, I was literally looking for him onstage. There were moments where I'd forgot that he'd passed away. I was like, 'Where's that harmony? Where's the accordion?'"

When Gaffney lost his long battle with liver cancer last April, Alvin found himself needing to express his loss in some creative fashion while simultaneously experiencing an almost incapacitating amount of grief. One of Alvin's first thoughts was that Gaffney had been largely unheralded as a songwriter in his lifetime and that he deserved a proper tribute to that aspect of his career.

John Doe came to fame as the singer/bassist in X, the seminal L.A. punk band. In the late ‘70s, he, along with his then-wife Exene Cervenka, helped define American punk rock. But some were surprised when these two put out "Poor Little Critter on the Road," the debut for a side project called The Knitters in 1986. Among its couple of new songs, and an X re-do, was a beautiful version of Merle Haggard's Silver Wings, which revealed that Doe had both the skills and the true love to play country music.

Many may have been caught off guard by this unusual turn of events, but in truth, everybody should have seen it coming. After all, Doe hinted at his sincere knowledge of roots music back in 1983, on X's "More Fun in the New World" record. In a song called I Must Not Think Bad Thoughts, he complains: "Woody Guthrie sang about b-e-e-t-s, not b-e-a-t-s."

In one sense, these words were an appalled reaction to the overly synthetic rock scene at the time.... »»»

At first blush it would seem an odd fit, backing a female folk-bluegrass singer working on her debut album with Elvis Costello's drummer, Tom Petty's keyboardist and plopping Led Zeppelin's bassist in the producer's chair. Sure, her brother gets to accompany her on guitar, and a former band mate adds a mandolin run here and there. Yet her steel guitarist isn't known for his Nashville riffs, but, instead, for West Coast-influenced licks for rockers Peter Case, Sheryl Crow and Wilco.

It would appear to be a recipe for disaster, a one-album flameout. But in the end, does it all fit? In a word — harmoniously.

To understand why Sara Watkins assembled a studio full of rock luminaries for her self-titled debut on Nonesuch Records — as well as the likes of Tim O'Brien, Ronnie McCoury and Gillian Welch - takes an understanding of just who she is professionally. Watkins, of course, is one-third of the Grammy-winning, gold record-selling band Nickel Creek, which broke down so... »»»

"I'm a viper of melody/I can roll in most any key/When I open up my heart and sing/I can make the bad times swing" - Viper of Melody

A throwback juke joint crooner with a passion for rockabilly, swing, jazz, the blues and honky tonk, over the course of 14-plus years, Wayne "The Train" Hancock has recorded a string of studio albums praised by critics and music fans alike starting with "Thunderstorms and Neon Signs' in 1995.

Now with the release of "Viper of Melody," Hancock's fourth album for the Chicago-based Bloodshot Records label, Hancock opted to break from his regular routine. Yes, he was once again joined in the studio by his longtime producer and musical collaborator Lloyd Maines, but he recorded the new album live with the members of his touring band at that time – Huckleberry Johnson (upright bass), Anthony Locke (steel guitar) and Izak Zaidman (electric guitar).

"It seems like the music is best when it is live, so we just play three takes of each... »»»