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Van Zandt CD coming

Monday, January 14, 2019 – A new Townes Van Zandt record will drop in March, 46 years after they were recorded and 22 years after the Texas singer/songwriter died at 53

"Sky Blue" is a collection of unreleased versions of songs and two new songs set for release by TVZ Records and Fat Possum Records on March 7, which would have been his 75th birthday.

The 11 songs were recorded in early 1973 with the late Bill Hedgepeth, a journalist, musician and a close friend of Van Zandt. The singer-songwriter was splitting his time between Texas, Colorado and a shack outside Franklin, Tennessee. Throughout his life, he would often return to Hedgepeth's home studio in Atlanta, later with family in tow, to record, re-work, and experiment with new songs as well as old favorites.

These versions of "Pancho & Lefty" and "Rex's Blues" show these songs as early drafts. The disc also includes two new songs that have never been heard before-"All I Need" and "Sky Blue"-as well as covers of songs by Richard Dobson and Tom Paxton. There is a smoky version of "Blue Ridge Mountain Blues" and an interpretation of "Hills of Roane County," an East Tennessee murder ballad from the 1880s that was popularized by Tony Rice.

The disc was conceived by Townes' surviving family-his wife and literary executor Jeanene, along with his children, J.T., Will, and Katie Bell.

The track list is:
1. All I Need
2. Rex's Blues
3. Hills of Roane County
4. Sky Blue
5. Forever For Always For Certain
6. Blue Ridge Mountain Blues (Smoky Version)
7. Pancho and Lefty
8. Snake Song
9. Silver Ships of Andilar
10. Dream Spider
11. The Last Thing On My Mind

More news for Townes Van Zandt

CD reviews for Townes Van Zandt

Sunshine Boy The Unheard Studio Sessions & Demos 1971-1972 CD review - Sunshine Boy The Unheard Studio Sessions & Demos 1971-1972
When one thinks about the music of the late, great Townes Van Zandt, it is easy to presume it is primarily in the context of the stark, downer nature of his songs, a pivotal turning point in the direction of American country music that has inspired everyone from Lyle Lovett and Steve Earle to such renowned heavy metal acts as Neurosis and Scott "Wino" Weinrich. It is a style the Texas icon had woven from his twin loves for both the Depression era hillbilly country of Dock Boggs and »»»
In The Beginning
Recorded two years prior to his official debut album, these recently discovered demo tracks reveal a younger Townes Van Zandt already in prime form. These 1966 recordings, produced by the legendary Jack Clement, sound more like finished works than demos. Though mostly acoustic, several tracks ("Black Widow Blues" and "Hungry Child Blues") feature a full band and recall Dylan's "Bringing It All Back Home" era work. The influence of Hank Williams is also strong, particularly in the tortured love »»»
A Far Cry From Dead
Fans of hardcore troubadour Townes Van Zandt will be relieved that there's still some music left from this enigmatic artist. Executive produced by his widow, Jeanene, and former Willie Nelson cohort Eric Paul, this breathes new life into the Van Zandt legend. The author of such timeless entries as "Pancho and Lefty" and "Rex's Blues" resuscitates these old chestnuts and others, like "To Live's To Fly" and "Greensboro Woman." Why buy an album of songs any die-hard will have heard before? Van Zandt »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Combs, Gill, Harris, Crow comprise one final musical platter – Vince Gill played host to an entertaining guitar pull, a show which also featured his longtime friend, Emmylou Harris, slightly newer friend Sheryl Crow and brand-new friend Luke Combs. Gill joked from the outset that this All for the Hall fundraising show needed Combs to sell tickets, and by the audience's response, it was clear many came only to see Combs.... »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
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