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Plant/Krauss take five Grammys

Sunday, February 8, 2009 – Robert Plant and Alison Krauss, won four awards, including album of the year, while Brad Paisley and Sugarland won two Grammys at the 51st Grammys Sunday in Los Angeles.

Plant and Krauss won their awards from their work on the CD "Raising Sand." The duo took the award for album of the year, record of the year for Please Read the Letter, best pop collaboration with vocals for Rich Woman. Contemporary Folk/Americana Album: "Raising Sand," (Rounder Records) and Country Collaboration with Vocals: Killing the Blues, (Rounder).

"We are thrilled and very grateful to everybody," said Krauss in taking home the album of the year, the final award of the night. Krauss said she thanked "especially Robert, there's never a dull moment."

"I'm bewildered," said Plant. "In the old days, we would have called this selling out. but it's a good way to spend a Sunday."

Producer T Bone Burnett praised Krauss and Plant for "coming to the studio with nothing on their mind , but courage...and freedom."

Plant said in winning the record of the year award that the idea of getting together was an experiment with Krauss, figuring they'd give it three days to see if it would work. "It's been given that Nashville touch, and it's really pretty good."

Krauss and Plant also sang several of their songs near the end of the night.

Other awards were:

Country Performance By A Duo Or Group With Vocals: "Stay," Sugarland, track from "Enjoy the Ride" (Mercury Records)

Country Song: "Stay," Jennifer Nettles, songwriter (Sugarland), track from "Enjoy the Ride" (Mercury Records; Publisher: Jennifer Nettles Publishing)

Pop Instrumental Performance: "I Dreamed There Was No War," Eagles, track from "Long Road Out of Eden" (Eagles Recording Company)

Pop Instrumental Album: "Jingle All the Way," Bela Fleck & The Flecktones (Rounder)

Country Album: "Troubadour," George Strait (MCA Nashville)

Female Country Vocal Performance: "Last Name," Carrie Underwood, track from "Carnival Ride" (19/Arista/Arista Nashville)

Male Country Vocal Performance: "Letter to Me," Brad Paisley, track from "5th Gear" (Arista Nashville)

Country Instrumental Performance: "Cluster Pluck," Brad Paisley, James Burton, Vince Gill, John Jorgenson, Albert Lee, Brent Mason, Redd Volkaert and Steve Wariner (Arista Nashville)

Bluegrass Album: "Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947," Ricky Skaggs and Kentucky Thunder (Skaggs Family Records)

Taylor Swift and Miley Cyrus performed Fifteen together.

More news for Robert Plant and Alison Krauss

CD reviews for Robert Plant and Alison Krauss

Raising Sand CD review - Raising Sand
The best musical collaborations transcend the talents of the individual participants to deliver a uniquely fresh sound. Led Zeppelin front man Robert Plant and bluegrass virtuoso Alison Krauss reach new heights, backed by an all-star cast of musicians and produced by T Bone Burnett. Burnett chose an eclectic set of covers, digging deep into material from both modern and classic songwriters: Phil and Don Everly, Mel Tillis, Tom Waits, Gene Clark and Townes Van Zandt are all represented here. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Stapleton maintains his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
Concert Review: Jinks wins over fans, especially new ones – Cody Jinks asked the crowd a bit into his show how many had never seen him before. It seemed like Jinks has made a lot of musical inroads into the public's consciousness because roughly three quarters of the audience raised their hands to show that this was their first time. That probably made Jinks feel pretty darn good about how life has been... »»»
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