Stuart documentary short coming
Thursday, December 16, 2010 – A short form documentary is in the works about Marty Stuart. The film looks at Stuart's early life and influences in his hometown of Philadelphia, Miss. and the role it played in the making of his latest album, "Ghost Train (The Studio B Sessions)."
"Marty Stuart In Philadelphia, MS," is set to premiere in early 2011, and was helmed by Jacob Hatley, who directed "Ain't In It For My Health: A Film About Levon Helm." Songs from the album are featured throughout the documentary short, including stories behind the songs.
"The piece focuses on how music and location work together or how places often inspire and influence artists," said Hatley. "Marty's sound comes from a very specific region, and it was a real privilege to be able to go down to Mississippi and get to know the people who shaped him as an artist."
A clip of the film can be previewed.
Stuart received two 2011 Grammy nominations for "Best Country Collaboration With Vocals" for I Run to You, the duet written and performed with his wife and country music queen Connie Smith and "Best Country Instrumental" for Hummingbird, his tribute to guitarist Clarence White. He is currently taping new episodes for the third season of The Marty Stuart Show which debuts on Jan. 8 with Willie Nelson as the first guest. The show brings traditional country music into living rooms every Saturday night on RFD-TV and continues to be the channel's highest rated show.
More news for Marty Stuart
CD reviews for Marty Stuart
Nashville: Volume 1 - Tear the Woodpile Down
Marty Stuart lives and breathes country music. It's in his blood through associations with folks like Johnny Cash. He's a huge collector of country's history, a photographer, and, oh yeah, quite a fine musician.
Stuart returns for another superb disc of only 10 songs (that's the only criticism here in a tight 31 or so minute set) mixing his stellar, full-bodied Mississippi drawl vocals, great playing, an instrumental, a spoken word (not the first time he has done that) with »»» |
Ghost Train (The Studio B Sessions)
Marty Stuart's new album has been called his love letter to classic country music. Inspired by the music he grew up loving, Stuart set out to show that that music still had vitality. And he more than succeeded. To be sure, the music on this album isn't really any different that of Stuarts' last all-country offering, 2003's "Country Music." Here Stuart returns to his roots and brings along some friends, one of those being his wife Connie Smith, who duets with him on »»» |
Anthology of Duets
Marty Stuart, in recent times a crack producer and archivist, focuses on his own career for this entertaining, albeit uneven, 14-song collection of duets.
Culled from different eras, the songs traverse rural country paeans with Merle Haggard ("Farmer Blues"), Tennessee Three style prison ditties with Johnny Cash ("Doin' My Time") and gospel-infused babyboomer classics with the Staple Singers ("The Weight"). By contrast, Stuart's turns with classic »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McGraw has plenty of fight left –
Despite the fact that Tim McGraw is five years sober, fit as a triathlete and touring behind a number one album, he is still in an unenviable position. As he approaches 50, McGraw has to stay a step ahead of the current crop of young country hunks with TV shows, cross format radio airplay and wider appeal. But as he proved at First Niagara's... »»»
Concert Review: Steve Earle doesn't rest (on laurels) –
If you didn't realize Steve Earle had a new disc out, "The Low Highway," it would have been no problem realizing that quite and quickly.
That was because Earle started the two-hour show with three straight tracks from "The Low Highway," and he would not be done for the night. The title track of was a midtempo effort... »»»
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