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Ralph Mooney dies at 82.

Monday, March 21, 2011 – Steel guitarist Chuck Mooney, who co-wrote Crazy Arms, died at 82.

Born Sept. 16 1928, Duncan, Okla., Mooney became interested in music as a child. After moving to live with his sister he was taught to play guitar, mandolin and fiddle. He became attracted to the instrument after hearing Leon McAuliffe's recording of Steel Guitar Rag.

Mooney worked with amateur bands until doing his first recordings with Skeets McDonald's band. In 1950, while a regular on Squeakin' Deacon's radio show, he met Wynn Stewart and gained session work. He played on early Buck Owens' hits such as Foolin' Around and Under Your Spell Again. Mooney also played lead guitar on Stewart's first Capitol Records recordings.

In 1961, he moved with Stewart to Las Vegas and worked therefore 2 years in Stewart's club. Merle Haggard was also a band member for a stretch, and when Haggard made his first Tally recordings, Mooney played steel guitar on them. When he returned to California, Stewart remained based in Las Vegas for six more years, during which time he played sometimes with Stewart on his Vegas shows. He also worked with Haggard and played steel guitar on several of Haggard's hit records including Sing Me Back Home, Swinging Doors' and The Bottle Let Me Down.

Mooney played again with Stewart in the 1960s and joined became the steel guitarist in Waylon Jennings' band the Waylors, where he remained for more than 20 years.

Crazy Arms was the most popular song he wrote (with Chuck Seals), a hit for Ray Price, which was his first number 1 record in 1956 and was later a Top 20 hit for both Marion Worth and Willie Nelson. Mooney once said, 'It has been recorded by so many different people. I would starve to death if it wasn't for those royalty checks.' He also wrote Foolin, a top 4 chart hit for Johnny Rodriguez in 1983.

In 1983, Mooney was inducted into the Steel Guitar Hall of Fame.

CD reviews for Wynn Stewart

After The Storm: The Playboy Sessions
An icon of the Bakersfield sound and one of Merle Haggard's chief influences, Wynn Stewart enjoyed only sporadic chart success recording for Challenge and Capitol during the '60s. By the time of this 1976 comeback disc for the Playboy label, many thought Stewart had drank his talent to death. This disc is proof to the contrary. Stewart turns in faithful recreations of two early hits "Big Big Love" (number 18) and his romantic classic "It's Such A Pretty World Today" (number 1, 1967), and the song »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Head and the Heart go beyond the nah nahs – "Nah nah," "la la" and "Wee oh" populated a number of songs from The Head and the Heart. Yes, the Seattle-based band does pen a good amount of sing-along songs that were clearly designed that way. And while that style can certainly engage and energize a crowd, there was more to that from the sextet.... »»»
Concert Review: Underwood leads a night of women in country – Carrie Underwood may have been off the road for three years, during which time she had two boys and did not release an album until "Cry Pretty" 13 months ago, but the most successful American Idol contestant has lost none of her vocal luster to say the least in her Cry Pretty 360 Tour. First and foremost, Underwood remains one tremendous... »»»
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