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Cleaves slates live CD

Friday, July 8, 2011 – When Slaid Cleaves moved from Portland, Maine, to Austin in late 1991, he landed on South Lamar Boulevard, a few blocks from the Horseshoe Lounge. But as he points out on his new live album, "It was many years of drivin' by before I worked up the courage to come in through the door."

In 2000, Slaid wound up releasing Horseshoe Lounge, an ode to the 46-year-old beer joint, on his breakout CD "Broke Down. "

Now, he's releasing his first live album - a double disc, "Sorrow & Smoke: Live at the Horseshoe Lounge," on Music Road Records on Sept. 6.

When he first contemplated a live album, Clevaes turned to the collection of performance recordings he's acquired during his decades of touring. But he couldn't bring himself to sort through it all, and decided to do fresh versions.

"I thought, 'How can I make a live record special?'" he said. 'Well, it has to be in a special place.'"

"The give and take, this sort of conversation I have with the audience," he said, adding, "I also wanted to give an honest depiction of what my show is like these days."

Unlike his Gurf Morlix-produced studio albums, "Sorrow & Smoke" is a more stripped-down, mostly acoustic affair. South Texas Walk of Fame guitarist Michael O'Connor twangs acoustic lead guitar, while accordionist/trumpeter/harmonica player Oliver Steck plays also.

CD reviews for Slaid Cleaves

Ghost on the Car Radio CD review - Ghost on the Car Radio
Bruce Springsteen has never held an actual job, but 18 years of watching the blue collar struggles of his family and friends and an empathetic streak that originates at his very core gave him a lifetime of material and an emotionally satisfying way to translate it. Slaid Cleaves has tapped into a similar vein of inspiration over the course of his three decades in music, which has included busking in Ireland, winning the New Folk competition at the Kerrville Folk Festival and recording a dozen »»»
Still Fighting the War CD review - Still Fighting the War
Few artists exude pain in their voices the way Slaid Cleaves can, and there are moments during his strong new full-length, "Still Fighting the War," when he seems a little like the male equivalent to Lucinda Williams. With Rust Belt Fields, Cleaves speaks up for most anybody that's been laid low be America's recent recession, from those dealing with home foreclosure to the ones laid off from their jobs. There once was a time in the country when a willingness to sweat and »»»
Sorrow and Smoke - Live at the Horseshoe Lounge CD review - Sorrow and Smoke - Live at the Horseshoe Lounge
Twenty years in Texas is bound to put a twang in your delivery and a hitch in your gait, and so it is with roots/folk singer/songwriter Slaid Cleaves, who celebrates a couple of decades worth of Austin life with the release of his first live album, "Sorrow and Smoke - Live at the Horseshoe Lounge." But if you want to examine the source of Cleaves' wonderful sense of melody, fluid acoustic guitar stylings and exquisite melancholy, you have to go back to his New England upbringing. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
Concert Review: Jinks wins over fans, especially new ones – Cody Jinks asked the crowd a bit into his show how many had never seen him before. It seemed like Jinks has made a lot of musical inroads into the public's consciousness because roughly three quarters of the audience raised their hands to show that this was their first time. That probably made Jinks feel pretty darn good about how life has been... »»»
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