Urban's All for the Hall gig raises $465K
Monday, April 16, 2012 – Keith Urban's We're All for the Hall benefit concert on April 10 raised $465,000, bringing the event's 3-year total to approximately $1.5 million.
Nearly 14,000 fans packed Nashville's Bridgestone Arena to enjoy the one-of-a-kind show with appearances from Vince Gill, Merle Haggard, Lady Antebellum, Pistol Annies, Little Big Town, Don Williams, Diamond Rio, The Band Perry, Blue Sky Riders, The Oak Ridge Boys and Thompson Square.
"This museum, and country music in general, could not ask for greater ambassadors and caretakers than Vince Gill and Keith Urban," said Museum Director Kyle Young. "They have such a reverence for this music's history, and are passionate about its future. The first We're All for the Hall benefit, in 2009, was a game changer for this museum in terms of both fundraising and awareness, and this year's show, the third, has again helped take this institution to another level."
"With this year's show, and its spotlight on duos and groups," Young continued, "Keith and Vince put together a concert lineup that showcased the breadth and depth of country music. From Merle Haggard to the Band Perry, (the) performances were an aural tour of where this art form has been, and where it's going. I'm proud to say that with Keith and Vince, it couldn't be in better hands."
"The support that We're All for the Hall has continued to receive truly validates the importance of the Country Music Hall of Fame and Museum and its place at the epicenter of country music," said Urban. "To all of the fans that have come out to the shows, the artists that have given so generously of their time and to the commitment of dollars, equipment and products that our corporate partners have given us, I thank you all from the bottom of my heart. We'll see you again next year."
Proceeds from We're All for the Hall will be invested in the care of the institution's collection in its schedule of school and public programs, and in enhancements for its core exhibition.
More news for Keith Urban
CD reviews for Keith Urban
Get Closer
In a conversation with John Fogerty on CMT's "Crossroads" show, Keith Urban commented that his goal as a young man growing up was to have songs that people heard on the radio, and they would turn them up and sing along. Following that line of thinking, and the influence of catchy songwriters such as Fogerty, Urban continues to hit his mark on "Get Closer."
The song quality is on par with past Urban releases; the musicianship, as is to be expected, is top notch. »»» |
Defying Gravity
Keith Urban's 2006 album, "Love, Pain & The Whole Crazy Thing" seemed to mirror his life in all its tabloid-baiting chaos, and you can only hope that 2009's "Defying Gravity" does the same. If this album is an indication, Urban has clearly put that chaos behind him, replacing it with the love and joy that comes from marriage and a new daughter. The 11 songs dance along, driven by joyful rhythms and guitar hooks. Even the one song that starts off like a kiss-off, »»» |
Keith Urban Greatest Hits: 18 Kids
Keith Urban subtitles this best of CD "18 Kids," which is a little strange because Urban is not usually noted for his songwriting, even though he gets writer's credit on many of these hits. Instead, it's more common for respected songwriters to describe their compositions as children, whom they appear to love almost as much as their very own offspring. There's so much topnotch material on this collection, however, it's easy to see why Urban speaks of its track list so fatherly. »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Music City goes (Boston) Pop(s) –
On the face of it, the idea of top shelf country songwriters coming up from Nashville to play with the Boston Pops may seem incongruous. The idea of the venerable Boston institution and fixture on the July 4 scene, playing patriotic songs doesn't have all that much to do with country.
The idea isn't without precedent, of course.... »»»
Concert Review: O'Donovan goes home –
Aiofe O'Donovan had plenty of reason to be filled with good cheer. This was a hometown gig, after all, and only three days before the release of her first full-length solo debut, "Fossils."
Joking that the audience was filled with people she knew from high school and her parents' friends, O'Donovan made it clear that Boston... »»»
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