Swift pledges $4M to Country Music Hall of Fame
Wednesday, May 16, 2012 – Taylor Swift pledged $4 million to fund a new education center at the Country Music Hall of Fame and Museum, it was announced Thursday.
The more than 7,500-square foot space, which will encompass parts of 2 floors and feature 3 classrooms and a state-of-the-art children's exhibit gallery, is scheduled to open in early 2014.
Swift's gift is the largest capital contribution by an individual artist in the museum's 45-year history, prompting the museum to name the new space the Taylor Swift Education Center. The gift was made in conjunction with Working on a Building: Country Music Lives Here, the capital campaign that will finance the hall's expansion from 140,000 square feet to more than 350,000 square feet.
Swift has for years been a supporter of the museum, performing for the institution's 2007 All for the Hall New York, 2009 We're All for the Hall and 2010 All for the Hall Los Angeles benefits. She has also loaned the museum dresses, stage costumes and instruments for display; a free-standing, Taylor Swift multimedia exhibit debuted in May 2010.
"Taylor Swift represents country music's best traditions," said Museum Director Kyle Young. "She is a gifted singer-songwriter whose deeply personal songs resonate with music fans around the world, and a dynamic live performer whose open heart and engaging personality allow her to make even the largest stadium shows an intimate experience. Her many accomplishments - including being the youngest artist to single-handedly write and sing a number one country song - have made music history, and she has been an ambassador for country music, raising awareness of our genre literally around the globe."
"Taylor is an artist who has always been ahead of the curve," Young said. "By stepping forward to fund our education center, she has once again demonstrated that she has an eye on our industry's future. We are deeply indebted to Taylor for this wonderful gift, which will help us continue to fulfill our educational mission and serve our worldwide audience. It is not an overstatement to say that the Taylor Swift Education Center will have a profound impact on our museum, our new campus, our city and even our country. It will truly be the heart of our living museum, educating and inspiring young people and families, teaching them country music history and helping them to make meaningful connections between the music and their own lives."
The new education center will increase the museum's educational capacity up to seven-fold. On the third floor, two traditional classrooms and one "wet" classroom space will be used by museum educators for current educational offerings, including the museum's flagship program, Words & Music; distance learning programs; and family programs such as the Musical Petting Zoo.
The "wet classroom" will feature a utility floor, lending itself to the museum's Make Letterpress Art with Hatch Show Print family program and similar offerings. The additional classroom spaces will also allow the museum to develop new educational activities, potentially including after-school programs, teen-centric programs, multi-week workshops for youths, adults and senior citizens, and more. Additionally, the classroom spaces will be adjacent to a visible storage area and design studio; this space will feature thematic displays of artifacts, such as dozens of banjos, and allow students to observe museum curators at work. The children's gallery, situated on the second floor, will be a dedicated exhibit space for young patrons and will be filled with hands-on, interactive exhibits.
With Country Music Hall of Fame member Kris Kristofferson and Ford Motor Company Executive Chairman Bill Ford as honorary co-chairs, the museum launched its $75 million Working on a Building campaign in July 2011 with $56.8 million in cash and pledges already secured. Designed by Tuck-Hinton Architects, the expansion is expected to be completed in early 2014.
More news for Taylor Swift
CD reviews for Taylor Swift
Journey to Fearless DVD
Part Behind The Music style documentary and part concert film, Taylor Swift's new Blu-ray release offers an interesting hybrid approach to the typical live performance video - an approach that hits more than it misses. "Journey To Fearless" focuses on Swift's meteoric rise from aspiring grade-school singer/songwriter to award-winning country and pop megastar while sprinkling in live performances. Hardcore Swift fans will find a lot to love on this single-disc set (which is also »»»
|
Speak Now
Taylor Swift has made the best CD of her young career with her fourth CD. The biggest difference is that Swift's singing, spotty on previous releases and live performances, is far far superior here.
Swift wrote all 14 songs here, which like her other albums tend to deal with relationships that have gone south. Swift's songwriting always has been one of her strengths, and that continues to be the case here - both lyrically and musically. Put simply, Swift knows a lot about penning »»»
|
Fearless
Taylor Swift took the county world by storm with her huge selling debut and its five hit singles. With a huge marketing push and myspace, Swift was on her way. Kind of like an Avril Lavigne for the teen female country set.
Sophomore slump? There's no indication of that. Swift once again writes her material - all 13 songs here with help sometimes from Liz Rose, Colbie Caillat and John Rich. Swift writes of what she knows about - relationships and teen love come and gone in songs speak to her fans. »»»
|
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Size doesn't matter to Winslow-King –
Luke Winslow-King may have a fine new CD out ("The Coming Tide") on a long respected indie country/roots label (Bloodshot), but that didn't mean the throngs were going to fill the club. In fact, in a second night of shows in the Boston area, Winslow-King drew a handful of people. Well, make that literally two handfuls of people.
As in 10 people.... »»»
Concert Review: McGraw has plenty of fight left –
Despite the fact that Tim McGraw is five years sober, fit as a triathlete and touring behind a number one album, he is still in an unenviable position. As he approaches 50, McGraw has to stay a step ahead of the current crop of young country hunks with TV shows, cross format radio airplay and wider appeal. But as he proved at First Niagara's... »»»
|
 |
Country News Digest
CST
CST
Elsewhere in the news
Currently at the CST blogs

Some folks listening to Kelly Willis and Bruce Robison's new duet album, "Cheaters Game," may well exclaim, 'Well, it's about time!' after finally hearing these two talented country singer/songwriters recording music as a pair for the first time. Willis has built quite a following for her independently-minded feminine perspective, while Robison has written hits for the Dixie Chicks ( Travelin' Soldier) and Tim McGraw and Faith Hill ( Angry All the Time), as well as penning the ultimate Willie Nelson tribute, What Would Willie Do? and recording it as a solo act.
... »»»

Last fall, singer/songwriter Steve Forbert dropped the 14th studio album of his 35-year career, the impeccable "Over With You." Critics recognized the album as a return to the form Forbert displayed on his earliest works - 1978's stripped back and personal "Alive on Arrival" and 1979's more lushly produced and commercially accessible "Jackrabbit Slim" - but the fact is that Forbert has never strayed far from their basic folk/rock tenets.... »»»

Over the course of the past 20 years or so, Jim Lauderdale and Buddy Miller have both experienced a certain rise in their respective rootsy country profiles. Miller has become one of Nashville's hottest speed dial numbers, as an artist, a guitarist-for-hire (a role he has performed for Lucinda Williams, Emmylou Harris and Robert Plant, among others) and an intuitive producer (he's currently working with Executive Music Producer T Bone Burnett to provide the soundtrack for ABC's "Nashville" television series).... »»»

For 16 years, Eddie Stubbs has ruled the airwaves in Nashville; since 1996, he's regaled listeners with stories about country and bluegrass artists new and old, cued up 45s and 78s of classic country songs, and introduced the pure strains of country music and the deep history of that music to everyone who's tuned into 650 WSM-AM.... »»»

Way, way back in the last century - in 1998, to be exact - an assemblage of Nashville's primo session players and sidemen were looking for a way to kill time between turns on stage at the Grand Ole Opry. Among them was Kenny Sears, a veteran fiddler whose resume included stints with Mel Tillis, Dottie West, Ray Price and Faron Young. "We used to get together in the dressing room backstage at the Opry and have these jam sessions that went on all night long," Sears recall... »»»

Wilderness
"Wilderness" is another twisted menagerie of The Handsome Family songs. Once again, husband Brett Sparks sings their songs, sometimes in a bellowing gravedigger voice, after adding music to wife Rennie's lyrics. This time out, each and every tune is named after an animal, insect or other such nature creature. However, Rennie studies animals the way Flannery O'Connor wrote about humans, which is with the weirdness and character flaws in primary focus. »»»
|
Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status. First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. »»»
|
Dark Dirty Mile
Jason Boland and the Stragglers have released a new country album that sounds old. This isn't to imply that the sound is aged in a negative way; they have a classic country maturity that isn't heard too much these days with the exception of Jamey Johnson. For those not familiar with the music of Boland, the first track is a great way to decide whether this is your kind of country music. The title track is a mid tempo country song reminiscent of the late Waylon Jennings. »»»
|
Golden
Lady Antebellum probably needed a change in direction after "Own the Night" dropped in 2011. The material was overly geared towards taking dead aim at the radio jugular. That isn't the case this time out on the trio's fifth release because most of the songs veer away from being obviously radio fodder (except for the current single Downtown with its soulful beginning and strong vocals from Hillary Scott), but that also doesn't man that this was the right change. »»»
|
Annie Up
For those who thought "Hell on Heels" was a one-off side project for Miranda Lambert (along with sidekicks Angaleena Presley and Ashley Monroe), think again. The Annies, aka "Lonestar Annie" (Lambert), "Hippie Annie" (Monroe), and "Holler Annie" (Presley), are no novelty act. Instead, they tackle material that you just are unlikely to hear on mainstream country radio both in subject matter and sonics. »»»
|
Never Regret
Chances are good people will think they've heard an unknown Dierks Bentley song on the radio, when in fact it was actually a Craig Campbell tune. That's because Campbell sounds a whole lot like Bentley during "Never Regret." About the only chief difference between Campbell and Bentley songs, however, is how Bentley adds so much humor to his tunes. He also has a far more expressive singing voice. »»»
|
|