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Doc Watson dies at 89

Tuesday, May 29, 2012 – Doc Watson, an acoustic guitar giant in bluegrass, country and folk music, died today at 89 after falling at his home last week. Watson was particularly known for his flatpicking style of guitar in which he would hold the pick between two or three fingers to strike the strings. he also was instrumental in making the acoustic guitar a lead instrument in country and bluegrass.

"He is single-handedly responsible for the extraordinary increase in acoustic flat-picking and fingerpicking guitar performance," said Ralph Rinzler, the folklorist who discovered Watson in 1960. "His flat-picking style has no precedent in earlier country music history."

Watson, who was blind since he was a year old due to an eye infection, was born in Deep Gap, N.C. on March 3, 1923. He bought his first guitar after chopping dead chestnut trees on his family's property, selling the wood to a tannery to make money. Watson bought a $10 Stella guitar from Sears Roebuck. He played guitar on local street corners. By the time he was 30, he played with Jack Williams country swing band on electric guitar in Johnson City, Tenn. Watson also taught himself how to play fiddle tunes on his Les Paul electric guitar.

By 1960, Watson began playing acoustic guitar and banjo exclusively with the rise of the folk revival.

That same year, Rinzler found Watson at a fiddlers' convention in Union Grove, N.C. Watson sat in with old time musician Tom Ashley, making a mark on Rinzler. He then went to Watson's home and recorded him with family members, including his father-in-law, Gaither Carlton.

Watson toured as a solo performer and recorded his first disc, "Old Time Music at Clarence Ashley's" in 1961. Two years later, he received very positive reviews at the Newport Folk Festival. In 1964, he recorded his first solo album, the same year he began playing with his son Merle.

The Watsons later performed as a trio with T. Michael Coleman on bass, recording almost 15 albums between 1973 and 1985. Merle died in a tractor accident in 1985.

In 2000, Watson was inducted into the International Bluegrass Music Hall of Honor in Owensboro, Ky. In 1997, Watson received the National Medal of Arts from President Clinton.

Watson hosted the annual MerleFest concert held every April at Wilkes Community College in Wilkesboro, N.C., a tribute to his son. The festival drew tens of thousands of people and focused on bluegrass and country acts.

Watson won eight Grammy awards, starting in 1973 for Best Ethnic or Traditional Recording for "Then and Now' and ending in 2006 with Best Country Instrumental Performance with Bryan Sutton for Whiskey Before Breakfast from "Not Too Far From the Tree" by Sutton.

More news for Doc Watson

CD reviews for Doc Watson

Live at Club 47 CD review - Live at Club 47
When Doc Watson passed away in 2012 at the age of 89, his legacy as one of the most treasured and iconic figures of American country and folk music was embodied in nearly five decades worth of highly regarded recordings, both live and in the studio, and for many up and coming musicians, "pickin' with Doc" became one of the "must do" items on the career checklist. But when he took the stage on a February evening in 1963 at the legendary Club 47 in Cambridge, Mass. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Combs, Gill, Harris, Crow comprise one final musical platter – Vince Gill played host to an entertaining guitar pull, a show which also featured his longtime friend, Emmylou Harris, slightly newer friend Sheryl Crow and brand-new friend Luke Combs. Gill joked from the outset that this All for the Hall fundraising show needed Combs to sell tickets, and by the audience's response, it was clear many came only to see Combs.... »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
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