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Isbell leads AMA nominations

Thursday, May 31, 2012 – Jason Isbell led the Americana Music Association Award nominations with four, while Gillian Welch garnered three in an announcement made in Los Angeles this afternoon.

Isbell was nominated for artist, album, song and duo/group of the year. "I'm honored to be in such great company and surprised that so many folks appreciated our work this past year," said Isbell.

Actor John C. Reilly announced the nominations at Thursday's event hosted by Americana ambassador Jim Lauderdale at The Grammy Museum's Clive Davis Theatre.

The celebration also featured performances by special guests Lucinda Williams, Shelby Lynne and Robert Ellis alongside the Americana All-Star band, led by Buddy Miller with Lauderdale, Greg Leisz, Don Heffington and Don Was. The finale song honored Americana icons; Levon Helm, Earl Scruggs and Doc Watson, who were the heartbeat of the genre, with a loving rendition of Will the Circle Be Unbroken.

Nominees were:

Album of the Year
Here We Rest - Jason Isbell and the 400 Unit
I'll Never Get Out of This World Alive - Steve Earle
The Harrow & The Harvest - Gillian Welch
This One's For Him: A Tribute to Guy Clark - Various Artists

Artist of the Year
Gillian Welch
Hayes Carll
Jason Isbell
Justin Townes Earle

Emerging Artist of the Year
Alabama Shakes
Dawes
Deep Dark Woods
Robert Ellis

Song of the Year
"Alabama Pines" - written by Jason Isbell and performed by Jason Isbell and the 400 Unit
"Come Around" - written and performed by Sarah Jarosz
"I Love" - written by Tom T. Hall and performed by Patty Griffin
"Waiting on the Sky to Fall" - written and performed by Steve Earle

Instrumentalist of the Year
Buddy Miller
Chris Thile
Darrell Scott
Dave Rawlings

Duo/Group of the Year
Carolina Chocolate Drops
Civil Wars
Gillian Welch and David Rawlings
Jason Isbell and the 400 Unit
Punch Brothers

The Americana Honors & Awards returns to the Ryman Auditorium on Sept. 12, as part of the Americana Music Festival to take place Sept. 12-15.

More news for Jason Isbell and the 400 Unit

CD reviews for Jason Isbell and the 400 Unit

Live at the Ryman CD review - Live at the Ryman
Jason Isbell didn't record this live effort at The Ryman Auditorium as a gesture to be country music's savior at The Mother Church of Country Music. The Alabama native's music is country-adjacent at best, more than it is traditional in the way, say, Sturgill Simpson's can be. He may not be coming to the faltering genre's rescue, but he's sure breathing life into modern music in general. "Live From the Ryman" finds Isbell and his sharp band (the 400 Unit) »»»
The Nashville Sound CD review - The Nashville Sound
Jason Isbell's "The Nashville Sound" doesn't cause the immediate buzz of the singer/songwriter's previous efforts, so you may need to give it a little time to grow on you. But because Isbell simply doesn't make bad records, this one's just good in different ways, with a longer release cycle. The best one may well be the last track, "Something to Love." It's serves as a kind of folkish benediction where Isbell wishes whomever has ears to hear to »»»
Southeastern CD review - Southeastern
Given the fact that Jason Isbell opts for solo billing this time around, it might be assumed that last year's "Live From Alabama," recorded with the 400 Unit, was the band's swan song of sorts. That is, unless one considers the fact that drummer Chad Gamble and keyboardist Derry deBorja are still along for the ride, albeit sans the band billing. Likewise, the cast and crew also includes some notable names in the credits, including fiddle player/vocalist Amanda Shires (who is »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
Concert Review: Jinks wins over fans, especially new ones – Cody Jinks asked the crowd a bit into his show how many had never seen him before. It seemed like Jinks has made a lot of musical inroads into the public's consciousness because roughly three quarters of the audience raised their hands to show that this was their first time. That probably made Jinks feel pretty darn good about how life has been... »»»
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