Isbell leads AMA nominations
Thursday, May 31, 2012
– Jason Isbell led the Americana Music Association Award nominations with four, while Gillian Welch garnered three in an announcement made in Los Angeles this afternoon.
Isbell was nominated for artist, album, song and duo/group of the year. "I'm honored to be in such great company and surprised that so many folks appreciated our work this past year," said Isbell.
Actor John C. Reilly announced the nominations at Thursday's event hosted by Americana ambassador Jim Lauderdale at The Grammy Museum's Clive Davis Theatre.
The celebration also featured performances by special guests Lucinda Williams, Shelby Lynne and Robert Ellis alongside the Americana All-Star band, led by Buddy Miller with Lauderdale, Greg Leisz, Don Heffington and Don Was. The finale song honored Americana icons; Levon Helm, Earl Scruggs and Doc Watson, who were the heartbeat of the genre, with a loving rendition of Will the Circle Be Unbroken.
Album of the Year
Here We Rest - Jason Isbell and the 400 Unit
I'll Never Get Out of This World Alive - Steve Earle
The Harrow & The Harvest - Gillian Welch
This One's For Him: A Tribute to Guy Clark - Various Artists
Artist of the Year
Justin Townes Earle
Emerging Artist of the Year
Deep Dark Woods
Song of the Year
"Alabama Pines" - written by Jason Isbell and performed by Jason Isbell and the 400 Unit
"Come Around" - written and performed by Sarah Jarosz
"I Love" - written by Tom T. Hall and performed by Patty Griffin
"Waiting on the Sky to Fall" - written and performed by Steve Earle
Instrumentalist of the Year
Duo/Group of the Year
Carolina Chocolate Drops
Gillian Welch and David Rawlings
Jason Isbell and the 400 Unit
The Americana Honors & Awards returns to the Ryman Auditorium on Sept. 12, as part of the Americana Music Festival to take place Sept. 12-15.
More news for Jason Isbell and the 400 Unit
CD reviews for Jason Isbell and the 400 Unit
Live at the Ryman
Jason Isbell didn't record this live effort at The Ryman Auditorium as a gesture to be country music's savior at The Mother Church of Country Music. The Alabama native's music is country-adjacent at best, more than it is traditional in the way, say, Sturgill Simpson's can be. He may not be coming to the faltering genre's rescue, but he's sure breathing life into modern music in general. "Live From the Ryman" finds Isbell and his sharp band (the 400 Unit) »»»
The Nashville Sound
Jason Isbell's "The Nashville Sound" doesn't cause the immediate buzz of the singer/songwriter's previous efforts, so you may need to give it a little time to grow on you. But because Isbell simply doesn't make bad records, this one's just good in different ways, with a longer release cycle.
The best one may well be the last track, "Something to Love." It's serves as a kind of folkish benediction where Isbell wishes whomever has ears to hear to »»»
Given the fact that Jason Isbell opts for solo billing this time around, it might be assumed that last year's "Live From Alabama," recorded with the 400 Unit, was the band's swan song of sorts. That is, unless one considers the fact that drummer Chad Gamble and keyboardist Derry deBorja are still along for the ride, albeit sans the band billing. Likewise, the cast and crew also includes some notable names in the credits, including fiddle player/vocalist Amanda Shires (who is »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Live, Shelley proves she's the real deal
After the concert, Joan Shelley was greeted by a fan at the near sold-out club who had never seen her before. The first timer told the Louisville, Ky.-based folk-oriented singer that she wanted to see for herself if Shelley's vocals were the real deal live.
The fan walked away mighty impressed -based on her comments - and it was easy to see why.... »»»
Concert Review: There's a lot to be said about The Felice Brothers
The Felice Brothers have soldiered on, occupying the fringes of the musical world with ups and downs. After not knowing whether the group would even continue following the departure of half of the band a few years ago, The Felice Brothers continued with a new rhythm section and a new album, "Undressed," that is heavily political.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
A lot of the early reviews for "American Love Song," Ryan Bingham's latest set of raucous and reflective Americana brilliance, have characterized it as the singer/ songwriter's most personal album to date.... »»»
After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
The Prequel EP
The saying, 'Strike while the iron's hot,' applies to many situations, but especially to the music business. The scene moves so fast these days that this last year's star could be this year's 'Where are they now?' Luke Combs »»»
Between the Country
Ian Noe sings like a man wise beyond his years. Like Bob Dylan, back when he also started out as a young man, Noe has a vocal tone that rings true like the voice of experience. Beginning with "Irene (Ravin' Bomb)," »»»
Live at the Grey Eagle
Let's just say Amanda Anne Platt and her five-piece band The Honeycutters had home court advantage playing in their hometown of Asheville, N.C. in what is as warm a live album as you'll hear. »»»
Buckle up for a rollicking, joyful, adventuresome ride as Marty Brown drives flat-out down the straightaways and hugs tight the curves of the "American Highway." It's great to have Brown, who's written hits for Trace Adkins »»»
Daniel and Lauren Goans, the duo known as Lowland Hum, have always remained true to all their name implies, indulging in lowcast songs etched in a shoegaze motif. In that regard, their "Glyphonic" is really no differen »»»
Joy Williams' "Front Porch" album is a beautiful collection of acoustic, country-folk music. The title cut, for instance, includes sweet fiddling, while the rest of the album takes an appreciated low-key approach to its instrumentation. »»»