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Chesney's "Come Over" goes to the top

Monday, July 30, 2012 – Kenny Chesney's Come Over will top the Country Singles Charts this Thursday when the charts are officially released 11 weeks after its release.

The song was Chesney's 24th career number 1 single and was certified Gold last week for digital sales in excess of 500,000.

Bentley takes over for Dierks Bentley's 5-1-5-0.

Come Over is the second single from "Welcome To The Fishbowl" album to go top 10 with Feel Like A Rock Star featuring Tim McGraw the previous single. The two stars share the stage on the 'Brothers of the Sun' Tour, with Chesney and McGraw.

The tour brought tour to a Saturday show at Lucas Oil Stadium in downtown Indianapolis. "This has been, over the years, an incredible place for us to play music," said Chesney. "Thank you guys for having us back in this wonderful building tonight."

On Sunday, nearly 50,000 came to celebrate at Brown Stadium in Cleveland. "Whenever Cleveland is on the summer schedule, it's this moment I look forward to right here, being able to sing this song in this town," said Chesney as he introduced Anything But Mine.

The crowd cheered a tribute to late local radio personality Chuck Collier before I Go Back, and they cheered guitarist and local boy Kenny Greenberg. "He plays like he's from Cleveland, don't he?" Chesney asked.

The tour goes south next week as the tour, goes to the Superdome in New Orleans and Houston for a Saturday show at Reliant Stadium.

More news for Kenny Chesney

CD reviews for Kenny Chesney

Life on a Rock CD review - Life on a Rock
Despite the carefree, cruise-line posture of most Kenny Chesney records, there's always a nagging suspicion that his party-time vibe is about as predictable as a plastic pink flamingo on a Palm Beach patio. Yet Chesney's career-long theme of girls, guitars, beer and beaches (not always in that order) - and the occasional piece of farm machinery - has yet to wear thin. And with summer fast approaching, that's okay. Chesney's latest is something of a running journal of his »»»
Welcome to the Fishbowl CD review - Welcome to the Fishbowl
Kenny Chesney is synonymous with all things summer and good times. "Welcome to the Fishbowl" is a radical departure. If you're going to drink a beer and listen to this album, you may need a Prozac chaser. It is a bit short on fun as Chesney deals with terminal illnesses, loss of privacy and lost love. It leads off with the catchy Come Over, which is in the same vein as Lady A's Need You Now. On Sing 'Em My Good Friend, a man selling an old guitar full of memories »»»
Hemingway's Whiskey CD review - Hemingway's Whiskey
There are two warring sides to Kenny Chesney's musical personality. There's the part of him that wants to record throwaway, beach bum anthems like Coastal. However, the singer's better half excels at ballads like Where I Grew Up. The latter song contrasts youthful foolish behaviors with events that add quality real world experiences to a life. Drinking beer with high school buddies may have made him feel like a man, but it was a drunk-driving accident that grew him up - but fast. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McGraw has plenty of fight left – Despite the fact that Tim McGraw is five years sober, fit as a triathlete and touring behind a number one album, he is still in an unenviable position. As he approaches 50, McGraw has to stay a step ahead of the current crop of young country hunks with TV shows, cross format radio airplay and wider appeal. But as he proved at First Niagara's... »»»
Concert Review: Steve Earle doesn't rest (on laurels) – If you didn't realize Steve Earle had a new disc out, "The Low Highway," it would have been no problem realizing that quite and quickly. That was because Earle started the two-hour show with three straight tracks from "The Low Highway," and he would not be done for the night. The title track of was a midtempo effort... »»»
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