Rascal Flatts debuts new video
Friday, August 10, 2012 – Rascal Flatts debuted its new video for Come Wake Me Up today on CMT. The video for the trio's new single will be played ever hour throughout the day.
More news for Rascal Flatts
CD reviews for Rascal Flatts
Changed
To some, Rascal Flatts is little more than a trio of pretty boys, existing just on the periphery of traditional country music. And to some degree, these haters are correct. This ain't no honky tonk music. But there is still a lot of goodness wrapped inside all the overly ornate sonic packaging.
This new album's title track, for example, has all the power of a camp meeting revival ballad. Heck, the single Banjo sports some mighty fine picking from the inappropriately named Ilya »»» |
Nothing Like This
Rascal Flatts have become one of country's most bankable bands by turning out albums that are consistently strong and provide the listener with a nice mix of fast and slow. Which is why it's so surprising that their latest offering, "Nothing Like This," is so bad. While the sound is signature RF, the song lineup lacks anything to distinguish it - the material is boring and nondescript, each song blending into the next without any sort of demarcation. The low point is probably »»» |
Unwrapped EP
If the best things in life do indeed come in small packages, this "Unwrapped" EP from Rascal Flatts fits that most worthy description. All but one song have been unavailable for about a year, and one track (God Rest Ye Merry Gentlemen) is a brand new recording. For Jingle Bell Rock, Rascal Flatts actually trade rock music for big band jazz; this one features plenty of brass horn work. However, White Christmas sticks to a stately orchestrated formula. The trio shows off its vocal chops on »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Music City goes (Boston) Pop(s) –
On the face of it, the idea of top shelf country songwriters coming up from Nashville to play with the Boston Pops may seem incongruous. The idea of the venerable Boston institution and fixture on the July 4 scene, playing patriotic songs doesn't have all that much to do with country.
The idea isn't without precedent, of course.... »»»
Concert Review: O'Donovan goes home –
Aiofe O'Donovan had plenty of reason to be filled with good cheer. This was a hometown gig, after all, and only three days before the release of her first full-length solo debut, "Fossils."
Joking that the audience was filled with people she knew from high school and her parents' friends, O'Donovan made it clear that Boston... »»»
|
|
Country News Digest
 CST
 CST
Elsewhere in the news
Currently at the CST blogs
Some folks listening to Kelly Willis and Bruce Robison's new duet album, "Cheaters Game," may well exclaim, 'Well, it's about time!' after finally hearing these two talented country singer/songwriters recording music as a pair for the first time. Willis has built quite a following for her independently-minded feminine perspective, while Robison has written hits for the Dixie Chicks ( Travelin' Soldier) and Tim McGraw and Faith Hill ( Angry All the Time), as well as penning the ultimate Willie Nelson tribute, What Would Willie Do? and recording it as a solo act.
... »»»
Last fall, singer/songwriter Steve Forbert dropped the 14th studio album of his 35-year career, the impeccable "Over With You." Critics recognized the album as a return to the form Forbert displayed on his earliest works - 1978's stripped back and personal "Alive on Arrival" and 1979's more lushly produced and commercially accessible "Jackrabbit Slim" - but the fact is that Forbert has never strayed far from their basic folk/rock tenets.... »»»
Over the course of the past 20 years or so, Jim Lauderdale and Buddy Miller have both experienced a certain rise in their respective rootsy country profiles. Miller has become one of Nashville's hottest speed dial numbers, as an artist, a guitarist-for-hire (a role he has performed for Lucinda Williams, Emmylou Harris and Robert Plant, among others) and an intuitive producer (he's currently working with Executive Music Producer T Bone Burnett to provide the soundtrack for ABC's "Nashville" television series).... »»»
|
