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Chesney returns to studio

Monday, March 7, 2016 – Kenny Chesney is back in the studio recording new music, his publicist said today.

While no firm date was given, look for new music this spring.

"You have to take time to live and breathe, to fill up your tanks to be creative," said Chesney. "Otherwise, you're just on a treadmill churning out what you've already done... Who needs that? For me, especially after the success of 'The Big Revival,' I want to move the music, the songs, the discussion forward."

Chesney had hits with "American Kids" and "Wild Child" from "The Big Revival," which came out in September 2014.

Chesney has spent the last several months writing and seeking songs in Austin, the islands, and the road. He's also joined with longtime co-producer Buddy Cannon in the studio in Los Angeles and Nashville.

"There's a moment you feel a record grab hold, and take shape," Chesney said. "You can have great songs and not have an album. You can have a killer record that won't move people on the radio. The idea is to balance both, then hopefully create something that does both, that also says something as a whole. I think we're on our way."

Drawing on David Lee Murphy ("Living In Fast Forward," "Pirate Flag"), Josh Osborne ("Wild Child," "Come Over," "Merry Go 'Round") and Shane McAnally ("Somewhere With You," "American Kids," "Come Over") Chesney has also turned to Matraca Berg ("You & Tequila"), Allison Moorer and Hayes Carll for songs.

"There are a few writers who get me, who get my life and my soul," Chesney said. "And I was lucky enough to have time to write with them. But I also got to hear a lot of great songs, some different writers, so there was a lot of music this time to draw from and be inspired by."

"When we came off the road and I listened back to 'The Big Revival,' all I could think was, 'Man, we covered a lot of ground, went pretty cool, as well as new places musically,'" he said. "I knew we couldn't repeat, but I also wanted to find more new ways and new things to record."

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Songs for the Saints CD review - Songs for the Saints
Kenny Chesney's "Song for the Saints" is a step in the right direction for the popular country star. Inspired by the Hurricane Irma disaster, which hit Chesney personally as it destroyed a house he owned in the U.S. Virgin Islands, these songs are more serious and heartfelt than typical Chesney music. Best of all is "Love for Love City," a reggae duet with Ziggy Marley incorporating steel drums into an inviting island mix. It's followed by a cover of Lord »»»
Live in No Shoes Nation: 10 Years of Concerts CD review - Live in No Shoes Nation: 10 Years of Concerts
Kenny Chesney's "Live in No Shoes Nation" accurately recreates an experience of seeing the diminutive party animal live. Chesney has found an extremely lucrative niche as country music's Jimmy Buffett (although much of Buffett's island-y pop music appeals to many of today's non-discerning country music listeners). Also, with songs like "Pirate Flag," Chesney has even borrowed a few of Buffett's sea-related lyrical themes. This live CD could have been »»»
Cosmic Hallelujah CD review - Cosmic Hallelujah
The gospel, per Kenny Chesney's pseudo-spiritually-titled album, "Cosmic Hallelujah," is that the world is too crazy to make any sense of, and the only logical response is to drink more alcohol. (So, don't be surprised if there are more arrests for public intoxication at the performer's upcoming concert dates). Nearly every song includes lines about drinking alcohol - and not merely for the taste. This content will please many of his hard-partying fans. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
Concert Review: Jinks wins over fans, especially new ones – Cody Jinks asked the crowd a bit into his show how many had never seen him before. It seemed like Jinks has made a lot of musical inroads into the public's consciousness because roughly three quarters of the audience raised their hands to show that this was their first time. That probably made Jinks feel pretty darn good about how life has been... »»»
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