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"Tradition Lives" with Chesnutt

Wednesday, May 18, 2016 – Traditional country singer Mark Chesnutt, who enjoyed hits with "Going Through the Big D" and ""Brother Jukebox," will release his 15th studio album, "Tradition Lives," on July 8 on Row Entertainment.

This is his first disc of all-new material since 2010's "Outlaw" and was produced by Jimmy Ritchey, who Chesnutt has worked with for years. "He and I hooked up at a time when not a lot of people had a lot of faith in me anymore because I stayed 'country' when the industry was going the other way. I needed somebody like Jimmy who really believed in my kind of country music," said Chesnutt.

"Tradition Lives" includes 12 new Chesnutt honky tonkers and a tribute to the late Merle Haggard and songwriter Red Lane, "There Won't Be Another Now."

"A few years back, Jimmy Ritchey and I were at his home studio at about 2 a.m. talking about The Hag and his influence on us, and we thought it would be nice to add this song to the album as a tribute to him and to Red Lane. It's just me with Jimmy on guitar. I hope fans enjoy it," said Chesnutt.

A native of Beaumont, Texas, Chesnutt began his run up the charts in 1990 with "Too Cold At Home," and has had 8 number one hits, including "Gonna Get a Life," and "I Don't Want To Miss A Thing." He has earned one Gold album and four Platinum albums.

The track listing is:
1. I've Got A Quarter In My Pocket
2. Is It Still Cheating
3. Lonely Ain't The Only Game In Town
4. Oughta Miss Me By Now
5. Neither Did I
6. So You Can't Hurt Me Anymore
7. You Moved Up In Your World
8. Look At Me Now
9. Losing You All Over Again
10. Never Been To Texas
11. What I Heard
12. Hot
Bonus Track: There Won't Be Another Now (Tribute to The Hag and Red Lane)

More news for Mark Chesnutt

CD reviews for Mark Chesnutt

Tradition Lives
To say that Mark Chestnutt walks the walk is an understatement. Long before the rise of bro country, Chestnutt's 1998 cover of Aerosmith's "I Don't Want To Miss Thing" hit number 1, but after that, his career stalled. More than a decade later, "Tradition Lives" is an aptly titled 13-song effort that never veers from the old school path. There is no title track, which underscores the idea that the collection is a cohesive theme and not lead single driven. »»»
Savin' the Honky Tonk
Theme albums never really caught on in C&W, but Mark Chesnutt might just change that with his label debut. After all, just about every track here concerns alcohol consumption and the joy of gin joints. Oh sure, there's a couple love songs here ("Would These Arms Be In Your Way" wherein Lee Ann Womack lends her vocal talents) and a cheatin' song or two ("A Hard Secret to Keep"), but for the most part it's all aqua vitae all the time. Whether it's praise for the plethora of products available at »»»
Mark Chesnutt
Self-titled albums are usually the sign of a new, emerging artist on the scene, but Mark Chesnutt is anything but a new face. Although some would say he came in on the back end of the late-'80s wave that crested with Clint Black, Garth Brooks and Alan Jackson, the fact is that Chesnutt has spent the last decade being one of the most consistently good - and most consistently successful - pure singers in the country music business. Like his fellow Texans George Strait and George Jones (who also »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Combs, Gill, Harris, Crow comprise one final musical platter – Vince Gill played host to an entertaining guitar pull, a show which also featured his longtime friend, Emmylou Harris, slightly newer friend Sheryl Crow and brand-new friend Luke Combs. Gill joked from the outset that this All for the Hall fundraising show needed Combs to sell tickets, and by the audience's response, it was clear many came only to see Combs.... »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
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