Sign up for newsletter
 

Bentley climbs "The Mountain" in June

Thursday, April 12, 2018 – Dierks Bentley's ninth studio album, "The Mountain" (Capitol Records Nashville), is dropping June 8.

Bentley co-wrote 10 of the 13 new tracks that range in style from rock to acoustic folk. The releases features tracks with Brothers Osborne and Brandi Carlile. Bluegrass aces Sam Bush, Jerry Douglas and Tim O'Brien all play on the disc.

The story behind the disc begins in Telluride, Col., which hosts a major bluegrass festival every summer. Bentley, who previously released a bluegrass-based album, has attended the festival multiple times over the years. But after performing on the festival's main stage in 2017 influenced Bentley's recording decision.

"I found myself there, constantly reaching for my guitar," Bentley said. "It was like a gravitational pull. That town and those people just make you want to be creative, I couldn't describe it. I was like 'How do I tell everyone in Nashville this is what I want to write about?' I realized I couldn't bring it back, so I had to take everyone out there."

Returning that August with six of his most trusted songwriting collaborators, Bentley and his fellow 'Telluwriters' all bunked up in a small house. They had five days to work with and were hoping to write eight songs, but wrote almost twice that number.

Bentley returned to Telluride with his production team Ross Copperman, Jon Randall Stewart and Arturo

"For me it's the best of both worlds, and it feels like something new. It's powerful but also happy, with acoustic sensibility mixed in with the big sounds I like to have for the road," Bentley said. "They are the songs I'd play for somebody to say, 'This is who I am right now.'"

The track list is:
1. Burning Man (Featuring Brothers Osborne)
2. The Mountain
3. Living
4. Woman, Amen
5. You Can't Bring Me Down
6. Nothing On But The Stars
7. Goodbye In Telluride
8. My Religion
9. One Way
10. Son Of The Sun
11. Stranger To Myself
12. Travelin' Light (Featuring Brandi Carlile)
13. How I'm Going Out

Bentley starts the 2018 Mountain High Tour on May 18 in Columbia, Md.

More news for Dierks Bentley

CD reviews for Dierks Bentley

Black CD review - Black
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from. That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Riser CD review - Riser
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley. Bentley embraces current trends in country »»»
Up on the Ridge CD review - Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs. Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Lewis (and her daughters) make beautiful music (occasionally) and carry on the legacy Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear until 1990.... »»»
Hancock shows he's still "Man of the Road" Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road." "Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would... »»»
With "Headlights," Della Mae turns it up Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
A Long Way Back: The Songs of Glimmer CD review - A Long Way Back: The Songs of Glimmer
It's not uncommon for artists to tour and play complete records during album anniversary years, but Kim Richey has taken the extra (and much appreciated) step of rerecording "Glimmer," and giving it the title,  »»»
Lady Like CD review - Lady Like
When it comes to the love department, life seemingly has not very kind at all to Ingrid Andress. That's more than apparent for Andress on her eight-song EP debut. She sure thinks a lot about love and its associated problems, »»»
To Live In Two Worlds Volume 1 CD review - To Live In Two Worlds Volume 1
Fans of Eric Brace and Peter Cooper are certainly familiar with the guitarist and singer-songwriter, Thomm Jutz, who has become the third member of that trio over the past few recordings. Jutz is increasingly »»»
Blindsided CD review - Blindsided
It's appropriate that singer/songwriter Mark Erelli takes a different tack with the aptly named "Blindsided," an album exploreing the inner sanctums of the soul and the conflicts that inevitably shake one's perceptions »»»
Your Life is a Record CD review - Your Life is a Record
Whenever Brandy Clark's "Your Life is a Record" is described as the work of a smart, female singer/songwriter - an inevitable characterization - you may immediately picture 11 sophisticated pop songs. And make no mistake »»»
Getting Good CD review - Getting Good
Lauren Alaina's "Getting Good" may not measure up to a traditionalist's high standards, but as a pop-country compromise, it's pretty darn good. Whether it's the fiddle running through the proving-I'm-country "In My Veins," »»»