Moore has "Room to Spare"
Moore co-wrote five of the seven songs.
Moore will launch the Room to Spare: Acoustic Tour in Milwaukee, Wisc. On Nov. 19 with shows iN Des Moines, Ia. On Nov. 30, Emporio, Kansas on Dec. 1 and Akron, Ohio on Dec. 8 with special guests Charlie Worsham and Jillian Jacqueline.
Tickets go on sale Friday, Oct. 19 at 10 a.m. local time.
The collection opens with an acoustic spin on live-show staple "Plead The Fifth" and includes "It Ain't California," written in part with Worsham.
The track list is:
1. Plead The Fifth (Acoustic Version) - (Luke Dick, Josh Kear)
2. Tennessee Boy - (Kip Moore, Dan Couch)
3. Love You To The Moon - (Charlie Worsham, Natalie Hemby, Luke Dick)
4. It Ain't California - (Kip Moore, Charlie Worsham, Jon Mabe)
5. Wish It Was Me - (Kip Moore, Adam Browder, Scott Stepakoff, Dan Couch)
6. Come Home With You - (Kip Moore, Troy Verges, Blair Daly)
7. Part Of Growing Up - (Kip Moore, Josh Miller, Andrew DeRoberts)
More news
- 01/30/25: Moore readies "Around You"
- 01/10/25: Moore makes "Solitary Tracks"
- 11/26/24: Moore sets European dates for '25
- 11/22/24: Moore makes good on threat; releases two songs
- 10/18/24: Moore is "Learning As I Go"
- 09/22/24: Moore considers "Live Here to Work"
- 09/12/24: Moore leaves MCA for Virgin
- 07/29/24: Moore gos Nomad route in U.S.
CD reviews
There are moments while listening to Kip Moore's album where the listener might feel like he/she is sampling new Kid Rock music - albeit, with plenty more heart and soul. Moore sings with a similarly endearing scratchy vocal tone, and has a primarily country music fan base, but that's where these two artists part ways artistically. Whereas Kid Rock mostly raises hell, Moore raises awareness. Kid Rock might be perfectly comfortable singing about his dark side, but Moore is heard ...
Kip Moore's greatest musical selling point is his raspy singing voice. Much like Bob Seger long before him, his is a vocal tone that gets your immediate attention every time you hear it. This EP-length project presents Moore in a quieter setting than usual. That distinctive voice is unavoidable, though, whether revved up or tamped down.
The song that stands out most is "It Ain't California," which is introduced with a beautifully twangy electric guitar riff. ...
©Country Standard Time • Jeffrey B. Remz, editor & publisher • countrystandardtime@gmail.com
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