Sign up for newsletter
 

CMA plans on Introducing Nashville to Japan

Wednesday, January 30, 2019 – The Country Music Association, which recently announced its new international artist-focused touring series, Introducing Nashville, added back-to-back performances at Blue Note Tokyo in Japan in late March.

Brandy Clark, Devin Dawson and Lindsay Ell will play Tokyo on March 30.

Prior to Japan, Introducing Nashville will visit multiple cities in Australia and New Zealand with Clark, Dawson, Ell and Tenille Townes (Australia only).

The CMA will host an industry event at the U.S. Ambassador's residence in Tokyo on March 28, with the Deputy Chief of Mission Joseph Young welcoming CMA and Japanese industry representatives from all sectors in the business. The reception will feature Frankie Ballard, in addition to Clark, Dawson and Ell.

Introducing Nashville will provide a platform to introduce current artists to international audiences for the first time. Each tour stop will replicate a Nashville writer's round, with artists appearing on stage together in an acoustic lineup, introducing their songs and talking about their careers and personal stories.

Dates are:
March 18 - Lismore, Australia - Lismore City Hall
March 19 - Brisbane, Australia - The Old Museum
March 21 - Sydney, Australia - The Factory Theatre
March 22 - Canberra, Australia - The Abbey
March 23 - Melbourne, Australia - Athenaeum Theatre
March 26 - Auckland, New Zealand - Tuning Fork
March 30 - Tokyo, Japan - Blue Note Tokyo (two shows)

More news for Country Music Association

Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Lewis (and her daughters) make beautiful music (occasionally) and carry on the legacy Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear until 1990.... »»»
Hancock shows he's still "Man of the Road" Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road." "Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would... »»»
With "Headlights," Della Mae turns it up Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
Never Will CD review - Never Will
One of Ashley McBryde's breakthrough hits was the autobiographical "Girl Goin' Nowhere," about people who had cruelly cast doubts upon her music career aspirations. Now, in an act akin to paying it forward, McBryde opens »»»