Sign up for newsletter
 

Pride receives award

Tuesday, September 17, 2019 – Charley Pride will be the inaugural recipient of GRAMMY Museum Mississippi's Crossroads of American Music Award at the Mississippi Museum's 2019 Gala on, Nov. 1.

Established by the Museum's Board of Directors, the Crossroads of American Music Award honors an artist who has made significant musical contributions "influenced by the creativity born in the cradle of American music," according to a press release. Pride will appear at the Museum's 2019 gala to accept the award on Nov. 1 at GRAMMY Museum Mississippi.

"I'm honored to be the first recipient of this award from the GRAMMY Museum Mississippi," said Pride. "And thankful to the many great American music artists before me that helped to pave the way for my success. I applaud the museum for celebrating those artists and championing the importance of American music."

"We are thrilled to recognize the great Charley Pride as the first-ever recipient of our Crossroads of American Music Award," said Emily Havens, Executive Director of GRAMMY Museum Mississippi. "As a native of Mississippi, Charley has had a significant impact on American music with his uncompromising honky-tonk country music. Charley broke new ground in the '60s when he emerged as one of the most successful black country artists at that time. It's an honor to recognize Charley Pride as the inaugural recipient of our Crossroads of American Music Award."

More news for Charley Pride

CD reviews for Charley Pride

Music in My Heart CD review - Music in My Heart
Charley Pride shows with "Music In My Heart" that he is still in fine voice at the age of 79 with this collection of mostly obscure covers. The most recognizable are effective takes on Merle Haggard's "That's The Way It Was In '51" and the Tommy Collins penned "New Patches" most notably recorded by Mel Tillis and George Jones. Pride prominently represents the acclaimed though underappreciated Canadian group the Mercey Brothers. »»»
Choices CD review - Choices
Wistfully pining about the vanishing symbols of Americana and longing for simpler times is a staple of country music past and present. After a career in country spanning half a century, Charley Pride has created plenty of memories for others. He could rightfully sing of his childhood in Mississippi, or of 45 rpm vinyl singles (more than 35 were stamped with Pride's number 1 hits), or of drive-ins or mom-and-pop grocery stores or any number of disappearing American icons. »»»
A Tribute To Jim Reeves
Country Hall of Famer Pride's latest release his first new music in a long time has gotten attention mostly for its purportedly copy-proof technology. Anyone accustomed to playing CDs on a computer will find it an annoyance; you can't play the CD directly, having to register instead with an online service in order to download the individual tracks before you can listen not exactly a user-friendly approach. That's too bad, because the music itself should be the center of attention. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: For Brooks and fans, a most unusual change of pace – To say that this was a change of pace for Garth Brooks - not to mention his fans - would be an understatement of the highest degree. Brooks all but begged during the show to be playing next door at Gillette Stadium where the New England Patriots play. But, alas, Brooks exuded joy and excitement at the chance to play before about 500 people at a club,... »»»
Concert Review: LBT proves more than capable – If you have seen Little Big Town in the last decade, it could have been anywhere from a B stage at a Rib Fest to a 20,000-seat amphitheater as the opener for some of country's top acts. Their current "Nightfall" tour rightfully proves they are more than capable and well deserved being billed as a top headlining act.... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

The Mavericks "Play the Hits" When recording its album "Play the Hits," The Mavericks approached this covers album in much the same way the band creates any of its other studio albums. "Above all, we're always trying to reach a certain musical bar that we... »»»
Larue moves "Onward" The release of "Onward," his eighth studio album, finds veteran Texas Music/Red Dirt artist Stoney Larue at a crossroads. After almost two decades on the road, playing 200 shows a year across America and abroad, he has had success... »»»
Willis, Robison spin "Beautiful Lie" Eleven years ago, Kelly stepped away from music. She had just finished touring on 2007's exquisite "Translated From Love" and felt the angst of being a travelling musician with family at home. At that point, Willis and her husband, musician/producer Bruce Robison,... »»»
Country Fuzz
It's not unusual for country artists to include a few party anthems on their albums. These tracks help lighten the mood among a record's heavier moments and make for fun concert numbers. The Cadillac Three »»»
LP5 CD review - LP5
John Moreland's plain, unpretentious title indicates more of the same, but those of you (most of you most likely) expecting another batch of great, but deeply sad songs may find a few surprises on "LP 5."  »»»
What I Came Here For CD review - What I Came Here For
James Steinle is an emerging Texas singer-songwriter, who is already being hailed by Ray Wylie Hubbard and compared to story telling greats like Robert Earl Keen. Given that Bruce Robison produced "What I Came Here For" speaks volumes »»»
Tornillo CD review - Tornillo
The band name may suggest Appalachia and in some respects their sound does, but Lil Smokies hail from Montana, and deliver "Tornillo," their third release, which is named for the town where the studio for this release, Sonic Ranch, is located. »»»
Nightfall CD review - Nightfall
Little Big Town gets billed as a country music vocal group, but "Nightfall" plays out more like a four-headed singer-songwriter effort. Many of these songs hearken back to some of the best '70s introspective songwriter efforts. »»»
Formations CD review - Formations
Hawktail features some of the finest players of a generation in traditional American acoustic music. The product of their collaboration, "Formations," is a testament to the musical milieu in which they create.  »»»