King, Bentley release "Worth a Shot" video
The concept was created and written by King, who collaborated with directors Stephen Kinigopoulos and Alexa Stone of Running Bear Films. Filmed in Murfreesboro, Tenn., the video flashes back to the Wild West in the late 1800s where King and Bentley star as husband-and-wife characters with wanted signs, a liquor-filled saloon, and a shot for shot duel.
"Worth A Shot" is the second time King and Bentley have teamed up, following their Grammy-nominated, CMA Award winning, number one hit "Different for Girls." "Worth a Shot" is the follow up to King's hit single "Drunk (And I Don't Wanna Go Home)" with Miranda Lambert. The number one song marked the first woman-woman collaboration to reach the top spot on Billboard's Country Airplay chart since Reba McEntire and Linda Davis' "Does He Love Me" in 1993.
More news for Dierks Bentley
- 03/14/25: Bentley, Wilson think "Cold Beer Can"
- 02/17/25: Bentley announces Broken Branches Tour
- 02/17/25: Aldean, Bentley, Zimmerman headline Watershed
- 03/21/24: Bentley drops "American Girl" video
- 02/23/24: Bentley covers Petrty on "American Girl,' tribute disc coming
- 02/12/24: Bentley ges back to Gravel & Gold
- 06/13/23: Bentley keeps it "Something Real"
- 03/03/23: Bentley tours behind "Gravel & Gold"
CD reviews for Dierks Bentley
Dierks Bentley opens his first self-produced album with a song about personally stability, "Same Ol' Me." Although its lyric explains how while life circumstances may change, Bentley basically remains the same person. The same thing, though, can also be said about the country star's music. He's been recording for 20 years now. Yet Bentley has come this far with his integrity still intact. He's back with a strong, 14-song set that, like a good beverage, feels good ...
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from.
That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its ...
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley.
Bentley embraces current trends in country ...
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