Combs says he's "Gettin' Old"
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Combs says he's "Gettin' Old"

Friday, January 27, 2023 – Less than a year after releasing "Growin' Up," Luke Combs will release a companion album, "Gettin' Old," on March 24 via River House Artists/Columbia Nashville.

The lead track, "Growin' Up and Gettin' Old," written by Combs, Rob Snyder and Channing Wilson, is out today. Combs did not disclose the other songs.

"This album is about the stage of life I'm in right now," Combs said. "One that I'm sure a lot of us are in, have been through or will go through. It's about coming of age, loving where life is now, but at the same time missing how it used to be, continuing to fall for the one you love and loving them no matter what, living in the moment, but still wondering how much time you have left, family, friends, being thankful, and leaving a legacy. Me and so many others have poured their hearts and souls into this record, and I hope you love it as much as we do."

Produced by Combs, Chip Matthews and Jonathan Singleton, Gettin' Old is Combs' fourth full-length album following 2022's "Growin' Up," 2019's three-times Platinum "What You See is What You Get" and his four times Platinum debut, "This One's For You."

Combs will kick off his world tour this March with 16 North American stadium shows, all of which sold out immediately. With 39 shows across 3 continents and 16 countries, the trek includes shows at Arlington, TX's AT&T Stadium, Nashville's Nissan Stadium and Foxboro, Mass.' Gillette Stadium, as well as stops in Australia, New Zealand, United Kingdom, Ireland, Germany, Netherlands, Norway, Sweden, Denmark, Switzerland, France and Belgium.


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CD review - This One's For You Five years ago, when beer-drinking, truck-driving-in-the-country country songs were en vogue, Luke Combs' full-length debut would have fit right in. In 2017, when pop music rules the country market and male singers are more likely to wear a stylish jacket instead of a flannel shirt, Combs is positively refreshing. "Hurricane," the first single and first top five hit of Combs' career, sounds like a typical Jason Aldean ballad at the onset, but then builds into something more ...


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