Forbert waits for "Daylight Savings Time"
Thursday, July 11, 2024 – Veteran singer/songwriter Steve Forbert, best known for "Romeo's Tune," will release "Daylight Savings Time" on Sept. 6 via Blue Rose Music.
"Daylight Savings Time" is Forbert's 21st album and third release helmed by producer/engineer Steve Greenwell (Joss Stone, Gavin DeGraw). The tracks were cut at Greenwell's studio in Asbury Park N.J., where Forbert now resides. Helping out were drummer Aaron Comess of the Spin Doctors and keyboard player Rob Clores, who has played with Jesse Malin, The Black Crowes and Tom Jones. Byron House played bass, while Gurf Morlix played guitar.
Forbert arrived in New York City from Meridian, Miss. in 1976 and was part of the new folk revival. He scored a major label deal with the Nemperor/CBS Records, where he released his debut, "Alive on Arrival." His second album, "Jackrabbit Slim," yielded "Romeo's Tune."
Forbert's songs have been recorded by Rosanne Cash, Keith Urban, Marty Stuart and Webb Wilder.
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"Moving Through America" is Steve Forbert's 17th album of original material, not counting numerous outtake, covers, and live collections. Establishing himself as a folk-rock troubadour in the waning days of punk while new wave was still sorting itself out, Forbert briefly flirted with the top 10 ("Romeo's Tune" remains his signature song) and major label adventures before establishing an independent career of recording and touring.
The once the fresh-faced next
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Particularly if you've been listening to Steve Forbert's music for many years, you're bound to have some fun with his new memoir, "Big City Cat." The book, which lifts its title from that of a track on "Alive on Arrival," his 1978 debut LP, offers lots of commentary on the inspiration for Forbert's songs and the making of his albums. You'll also discover mentions of many of the artists he admires-some predictable (assorted folkies), some rather
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35 years after his phenomenal debut "Alive on Arrival," Steve Forbert's latest label, Blue Corn Music, has reissued his 1978 revelation bundled as a twofer with its 1979 follow-up, the equally compelling and more commercially successful "Jackrabbit Slim." Both albums have enjoyed multiple CD releases over the years, and most of the bonus tracks included on Blue Corn's clearly superior version have already seen the light of day through Forbert's archival
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