Davis, Adcock, Tuttle release new records
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Davis, Adcock, Tuttle release new records

Friday, August 15, 2025 – Jordan Davis released his third album, "Learn The Hard Way," via MCA. The record includes the number one hit - his 8th career chart-topping song - "I Ain't Sayin'," as well as the current Top 10 single "Bar None." The release contains 17 songs including "Mess With Missing You" with Carly Pearce helping out on vocals. Marcus King lends his talents on "Louisiana Stick." Davis helped write 13 of the 17 songs.

Gavin Adcock is out with his sophomore release, "Own Worst Enemy," on Warner Nashville. The 24-song release contains a number of drinking songs. The Georgia native contributed to 19 of the songs. The release is the follow-up to last year's "Actin' Up Again."

Molly Tuttle released "So Long Little Miss Sunshine" Nonesuch Records. Recorded in Nashville with producer Jay Joyce (Orville Peck, Miranda Lambert, Lainey Wilson), the fifth full-length from the singer, songwriter and ace guitarist is a personal body of work that embraces self-acceptance and reinvention. The cover features multiple images of Tuttle in different wigs - and one bareheaded - reflecting her lifelong journey with alopecia areata, a condition she's lived with since age three. Musically, the album ventures into new territory with a mix of pop, country, rock, and flat-picking - plus a murder ballad and a cover of Icona Pop and Charli XCX's "I Love It."


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CD reviews

CD review - When You're Ready One of the most celebrated acoustic guitarists working within the Americana field, Molly Tuttle is two-time International Bluegrass Music Association Guitarist of the Year, the first female to be so honored. "When You're Ready" is Tuttle's first full-fledged solo album, having previously recorded an EP ("Rise"), albums with both the Tuttles and The Goodbye Girls, and a long-ago recording with her father, Jack ("The Old Apple Tree"). ...
CD review - Rise EPs are a strange breed. Some are no more than demos for a larger work. Others are a hodgepodge of material recorded here and there and sold to help pay for gas money to the artists' next live gig. And some, like Molly Tuttle's "Rise", are exquisitely constructed messages in a bottle, to sum up the artists' current stage of development. Tuttle could have easily named this EP, "Let's Get on With It" or "Watch What I Do Now," but "Rise" ...


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