Bentley, CCR hit the clubs
Monday, January 15, 2007
– Dierks Bentley will leave behind the arenas, three semi trucks, two buses, a lighting rig and a large crew to hook up with Cross Canadian Ragweed for their third annual High Times and Hangover tour in February.
The nine-city run throughout the Midwest and Southeast will stop in small bars and clubs with capacities ranging from 500 to 900.
"My business manager is referring to this tour as the 'how much fun can we have and how much money can we lose tour," joked Bentley in a press release. "It's definitely all about the music and good times. Our set will be stacked with mostly old country cover songs and a few of our hits. Staying true to the tour's name, I'm sure we'll be playing old Cash and Waylon songs well into the early morning."
After the tour ends, Bentley and his band will travel to the Daytona International Speedway to perform at NASCAR's annual Budweiser Shootout being broadcast live on the FOX Network on Feb. 10.
Bentley will release his first-ever live concert DVD "Live and Loud at the Fillmore" March 20.
Feb. 1 Chicago Joe's Sports Bar
Feb. 2 South Bend, IN Legends at Notre Dame
Feb. 3 Carbondale, IL Copper Dragon
Feb. 5 Athens, Ga. 40 Watt Club
Feb. 6 Auburn Ala. War Eagle Supper Club
Feb. 7 Albany, Ga. State Theatre
Feb. 8 Milledgeville, Ga. Capitol City
Feb. 9 Statesboro, Ga. Legends
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from.
That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley.
Bentley embraces current trends in country »»»
Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs.
Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote
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The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music
John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia.
But lest you think that the Alabama... »»»
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