Deer Tick works on new CD
Tuesday, December 15, 2009 – After finishing a U.S. run with Neko Case and a just-ended three-week European tour, Deer Tick will enter the studio to put the finishing touches on its as-yet-untitled third album, which will be released in the first half of 2010. The band will again be tour heavily in 2010, to SXSW and beyond.
The Rhode Island group also released a new four-song EP, "More Fuel for the Fire EP."
Taken mostly from a month-long recording session in upstate New York nicknamed "The Black Dirt Sessions", "More Fuel for the Fire" features three new studio tracks as well as a live version of Straight Into A Storm (from "Born on Flag Day") recorded in Charlotte, N.C. at the Visulite Theatre.
The songs are La La La, Dance of Love, Axe Is Forever and Straight Into A Storm.
More news for Deer Tick
- 06/18/13: Deer Tick aims for "Negatvity"
- 06/16/10: Deer Tick visits Letterman tonight
- 01/12/10: Deer Tick finishing CD, tours in spring
CD reviews for Deer Tick
Deer Tick's acoustic/electric "Vol. 1" and "Vol. 2" were not only personal triumphs and career highlights for frontman/songwriter John J. McCauley, they were also among the best releases of 2017. Given the emotional and physical investment involved with the dual albums, representing the band's distinct folk and rock sonic profiles, McCauley and his merry band of Americana cranksters would be justified in presenting "Mayonnaise" as what it appears to be at ...
John McCauley's earliest explorations as Deer Tick found him with one foot firmly planted in his punk rock past and the other in his newly minted conversion to folk and country by way of an introduction to Hank Williams. His dual personalities were separated into his studio Jekyll and his stage Hyde, the former using the solemnity of recording to craft quiet folk gems, the latter presenting them to an audience with adrenalized, amps-to-11 abandon. It wasn't until 2011's "Divine ...
John McCauley's earliest explorations as Deer Tick found him with one foot firmly planted in his punk rock past and the other in his newly minted conversion to folk and country by way of an introduction to Hank Williams. His dual personalities were separated into his studio Jekyll and his stage Hyde, the former using the solemnity of recording to craft quiet folk gems, the latter presenting them to an audience with adrenalized, amps-to-11 abandon. It wasn't until 2011's "Divine ...
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