Capitol forms new label, signs Troy Olsen
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Capitol forms new label, signs Troy Olsen

Friday, March 12, 2010 – Capitol Records announced Friday it was forming a new label, EMI Records Nashville with Troy Olsen as its first signing.

Olsen's debut is slated for released later this year. He is from Arizona originally where he had a solo career going. He released a honky tonk album, "Living In Your World," in 2002. He moved to Nashville in 2003 and wrote songs recorded by Blake Shelton and Tim McGraw.

"Establishing EMI Records Nashville is part of our growth strategy and a way to provide artists a terrific creative home and a top notch, dedicated team to help build their careers," said Mike Dungan, President and CEO of Capitol Nashville. "We couldn't be more pleased to have an artist as unique and groundbreaking as Troy christen the roster of EMI Records Nashville. This demonstrates our commitment to and investment in the country genre. Fasten your seatbelt, because we have a lot more in store for fans and our partners in retail and radio."

"I dreamed of having a record deal from the first time I picked up a guitar," said Olsen. "To now have that dream come true with the best team in Nashville and with the legendary significance of EMI, is more than I could have imagined."


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CD reviews for Troy Olsen

CD review - Troy Olsen EP Rather than a full album, Troy Olsen came out of the gate with an EP released as a digital download only. Summer Thing was the first of the tracks served up as a single. Though it's got enough Cervezas and pretty girls for a Kenny Chesney song, there's an edge of melancholy in both the lyrics and the delivery. An undercurrent of harder times and problems best forgotten adds an air of realism to what might otherwise be just another party song. It also delivers a strong sense of place, ...
One look at the way he wears his hat over his eyes, and you'll know who is Troy Olsen's biggest influence. And one song on this album ("Who Gave You The Right") does copy Dwight Yoakam's sound too closely. But that track is an aberration. For the most part, Olsen uses Yoakam the way young Dwight used Buck Owens - as a jumping off point to turn something old into something new. The Arizona native recorded his debut in Southern California with many veterans of that area's country music scene - ...


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