Bob Schneider cleans up at Austin Music Awards
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Bob Schneider cleans up at Austin Music Awards

Wednesday, March 17, 2010 – Bob Schneider won a clean sweep of awards at the Austin Music Awards announced Thursday. Schneider won Austin musician of the year, male vocals, songwriter, band of the year (with Lonelyland), album of the year (for "Lovely Creatures") and song of the year (for 40 Dogs (Like Romeo and Juliet)).

Fellow Texan Sarah Jarosz won country/bluegrass, folk and female vocals awards. Other winners include Speak for best new Austin band, Los Lonely Boys for best rock band, the Bright Light Social Hour for best indie band, Antone's for best live music venue and the Ghost Room for new live music venue.

Inductees to the Austin Music Hall of Fame Bruce Robison, Pony Bone, David Garza, Sarah Brown, Brannen Temple and Denny Freeman.


More news for Sarah Jarosz


CD reviews for Sarah Jarosz

CD review - Undercurrent No longer just a startlingly talented young bluegrass musician, on her latest, Sarah Jarosz shows her growth both as a person and an artist. This is her first recording done while she wasn't in either high school or college, the first since her move to New York City three years ago, and the first time she has included only new original material. It may be the middle one of those firsts that had the most influence on the end results; there is little to no traditional bluegrass material here ...
CD review - Build Me Up From Bones Aging has worked wonders for Sarah Jarosz because she sounds better and better with each release. On her third disc, the Texas native, who occupies a musical turf straddling bluegrass, country and acoustic music, Jarosz proves to be more confident than ever in her vocal delivery. There's some bite in Fuel the Fire with a lot of banjo, courtesy of Jarosz herself, plucking going on all around here. Jarosz shines on the pared down, low key take on Dylan's Simple Twist of Fate with a ...
CD review - Follow Me Down For those of us who have been around long enough to remember browsing through long racks of LPs at the local record store (remember them?), one of the oldest tricks in evaluating an album from a new, unknown artist is to scan the liner notes to see who the sidemen are - the principle being, you can judge an artist by the company he or she keeps. In the CD age, that's not always possible since the credits are often shrink-wrapped away on the inside, but in the case of Sarah Jarosz, it's a ...


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