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Hot Club of Cowtown extends tribute treatment to Bob Wills

Tuesday, December 7, 2010 – Bob Wills finally will receive the tribute treatment from a band he influenced, Hot Club of Cowtown.

"What Makes Bob Holler" drops Feb. 1 on Proper American. A tour in England last spring led the trio to London's Specific Sound studio, where they spent 2 days recording a 14-song marathon of Wills tunes

"We have been meaning to make this album for a long time," said Elana James, who co-founded Hot Club with Whit Smith (they're joined by bassist Jake Erwin).

"There are so many great songs that we didn't get to," sasid James.

"We're going to have to make a box set, eventually, but we're just going to make it piecemeal," Smith joked.

Launched in 1994, the Hot Club of Cowtown released albums on the late Hightone Records label. The group's sound was influenced by jazz guitarist Django Reinhardt and violinist Stephane Grappelli of the Hot Club of France and Bob Willis & the Texas Playboys.

Hot Club of Cowtown will opening seven U.K. arena dates with Roxy Music, followed by a taping of NPR's Mountain Stage in Charleston, West Virginia in late January and an appearance at South by Southwest (SXSW) in March - before touring coast to coast in support of the album.

Wills' music - specifically the recordings of radio shows from 1946-47 called the Tiffany Transcriptions - are the inspiration for HCCT's repertoire and style with Smith's guitar, James' fiddle and Erwin's bass.

By spotlighting Wills' early, pre-World War II catalogue, the disc matches B-sides with some of Wills' most popular work. Tunes like Big Balls in Cowtown and Stay All Night are numbers that people always love when we play them live," says James, "so it was a no-brainer to gather them into a record." Other songs, like Osage Stomp and The Devil Ain't Lazy, are not as well known, but were the types of tunes that originally attracted Smith and James to Wills' music. "We're playing what knocked us out about Western swing in the first place - the early fiery energy and jazzy improvisations," said. James.

By 1998 Smith and James had relocated to Austin and released their debut, "Swingin' Stampede." Seven more albums over the next decade.

More news for Hot Club of Cowtown

CD reviews for Hot Club of Cowtown

Rendezvous in Rhythm CD review - Rendezvous in Rhythm
Hot Club of Cowtown abandon their usual mix of western swing and jazz to deliver a full out jazz album on "Rendezvous in Rhythm." There are plenty of instantly recognizable standards, such as I'm in the Mood for Love, Sweet Sue, Just You and If I Had You. The band's instrumental virtuosity is on display throughout, particularly on Minor Swing on which guitarist Whit Smith and violinist Elana James do their best Django Reinhardt and Stephane Grappelli, with Jake Erwin »»»
What Makes Bob Holler CD review - What Makes Bob Holler
On early Hot Club of Cowtown releases, fiddler Elena James had to share the "stage" with - or defer to, really - elder statesmen like Johnny Gimble. On this long overdue tribute to one of the group's primary inspirations, Bob Wills, it's just James, guitarist/vocalist Whit Smith and bassist/backup singer Jake Erwin, and James' fiddle subtly dominates. It's a curious anointment, fiddle as frontman. It occurs primarily on the Wills classics Faded Love and Maiden's Prayer. »»»
Continental Stomp
Though comparatively small, the trio Hot Club Of Cowtown produces a large sound. Recorded mostly live at the Continental Club in Austin, this is the first live disc to be released by the band that formed in 1996. Hot Club also revisits classics, though with a stronger emphasis on jazz. Standards such as "Pennies From Heaven," "After You've Gone" and "I Can't Give You Anything But Love," as well as the studio cut "I Can't Believe You're In Love With Me, Baby," are straight ahead jazz. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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