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Shiflett signs with Pinecastle

Tuesday, January 24, 2012 – The Karl Shiflett and Big Country Show signed with Pinecastle Records, it was announced Tuesday.

Take Me Back" will be released this summer as the group's first CD for the label after several on Rebel.

"I am excited about our recent signing with one of the most legendary record labels in bluegrass music. As I look forward to our first release I consider it a honor to be a part the Pinecastle artist roster which includes some of the most influential artists known to the genre," she said.

"'Take Me Back' is primarily a collection of tunes I heard and learned while growing up in Texas in the mid sixties (about 45 years ago)," he said.

The material covers songs by Don Gibson, Bill Monroe, Flatt & Scruggs, Bob Wills, Faron Young, Willie Nelson and Floyd Tillman. Shiflett wrote the gospel song, Open up your Heart (and let Jesus In) for the disc.

Hailing from Texas, Shiflett brings classic country and bluegrass music to the stage with a single mic.

In 2006, they were recipients of the IBMA "Album of the Year" award for their participation in the "Celebration of Life" album on the Skaggs Family Records label.

The band recorded three previous CDs, including a self-titled disc in 1999, "In Full Color" (2002) and "Worries On My Mind" (2003)

The current line-up for The Karl Shiflett and Big Country Show includes: Karl Shiflett (lead vocals/rhythm guitar). Kris Shiflett (acoustic upright bass), Chris Hill (banjo/harmony vocals), C.J. Lewandowski (mandolin/harmony vocals) and Billy Hurt (fiddle).

More news for Karl Shiflett & Big Country Show

CD reviews for Karl Shiflett & Big Country Show

Sho Nuff Country! CD review - Sho Nuff Country!
For a flicker in the early 2000s, there appeared on the national bluegrass scene a band that melded traditional bluegrass and country honky tonk sounds in a manner seldom heard since the heyday of Jim & Jesse and The Osborne Brothers. The Karl Shiflett and Big County Show appeared as a popular draw receiving solid notices, and the group released at least one stellar bluegrass album, 2001's "In Full Color." The follow-up "Worries On My Mind" had its moments. »»»
Take Me Back CD review - Take Me Back
There are artists who play in a retro style because they think it sounds cool or they're paying tribute to the past glories of their chosen genre, and then there are those such as Karl Shiflett, who sounds as if he was dropped into our century from a barn dance radio show circa 1946. The modern recording techniques and lack of tape hiss give away these tracks as contemporary creations, but don't tell Shiflett as he's apparently happy to continue indefinitely in his arrested »»»
Worries On My Mind
A half-century ago, back in the era before the music that Bill Monroe and Flatt and Scruggs spawned acquired the label of "bluegrass" and was still thought of as just another facet of country music, the marketing paradigm said that recordings and radio existed to supplement and promote live performances - pretty much the mirror image of today's music business. Back then, that 45 RPM record you took home was a souvenir of a memorable stage show that was promoted on your favorite radio show, and »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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