Moore notches first number one
Elsewhere on the song chart, Zac Brown Band moved up one to third with No Hurry. Eric Church moved up two to fourth with Springsteen, while Underwood's hit, Good Girl was up one to fifth. Luke Bryan has another big hit on his hands with Drunk On You, up three to sixth.
Toby Keith was at 11 with Beers Ago, up 3. Dierks Bentley also moved up 3 - to 16 - with 5-1-5-0. Kenny Chesney debuted at 24 with Come Over.
On the album chart, Lionel Richie and Luke Bryan stayed two-three with "Tuskegee" and "tailgates & tanlines" respectively. Willie Nelson debuted in fourth with "Heroes." Church was fifth with "Chief."
Hunter Hayes' self-titled debut was at 19, up 3. Eli Young Band was up 4 to 21 with "Life At Best." Pistol Annies also climbed 4 - to 22 - with "Hell on Heels." Chris Young's "Neon" jumped 5 to 23. Justin Moore was at 26 with "Outlaws Like Me," up 5. "Number One Hits" from Tim McGraw was at 27, up 3. "Icon: George Strait" was 28th, up 4. "Icon: Billy Currington" jumped 6 places to 29. Florida George Line debuted at 35 with "It'z Just What We Do." "NOW That's What I Call Country Ballads" moved up 4 to 38.
On the bluegrass album chart, Trampled by Turtles remained first with "Stars and Satellites." "The Gospel Side of Dailey & Vincent" remained second. Punch Brothers were third with "Who's Feeling Young Now? Alison Krauss & Union Station were fourth with "Paper Airplane," while Carolina Chocolate Drops stood in fifth with "Leaving Eden."
On the overall top 200, Underwood was 3rd, Richie 9th, Bryan 14th, Nelson 18th and Church 22nd.
More news for Kip Moore
- 12/02/22: Moore headlines UK, Europe shows
- 08/26/22: Moore, Wade star in "If I Was Your Lover" video
- 06/24/22: Moore's "Fire on Wheels" lights it up
- 03/29/20: Moore, Wyatt, Bandi out with new music
- 07/22/19: Moore announces Dive Bar Tour
- 02/19/19: Moore unleashes "The Bull"
- 12/10/18: Moore extends acoustic tour
- 10/15/18: Moore has "Room to Spare"
CD reviews for Kip Moore
There are moments while listening to Kip Moore's album where the listener might feel like he/she is sampling new Kid Rock music - albeit, with plenty more heart and soul. Moore sings with a similarly endearing scratchy vocal tone, and has a primarily country music fan base, but that's where these two artists part ways artistically. Whereas Kid Rock mostly raises hell, Moore raises awareness. Kid Rock might be perfectly comfortable singing about his dark side, but Moore is heard ...
Kip Moore's greatest musical selling point is his raspy singing voice. Much like Bob Seger long before him, his is a vocal tone that gets your immediate attention every time you hear it. This EP-length project presents Moore in a quieter setting than usual. That distinctive voice is unavoidable, though, whether revved up or tamped down.
The song that stands out most is "It Ain't California," which is introduced with a beautifully twangy electric guitar riff. ...
If you're one of those people who read CD inserts before listening to the music, Kip Moore starts out with one at least one strike against him on his third album. In the two pages of acknowledgements and thank yous (two pages!) there's this mixed metaphor on thank you number one, which goes out to Jesus: "You continually pull me from the sinking sand. . . I'm out of the woods because of your love." Um, not a lot of sand in the woods, Kip.
Thankfully, things get better as ...
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