McGraw records personal record
Monday, July 9, 2012
– Tim McGraw's first single for Big Machine Records, Truck Yeah,
debuted at 22 on the Billboard Hot Country Songs Chart and 25 on the Mediabase/Country Aircheck Chart, marking his highest solo chart debut ever.
His previous record was in 2002 when Grown Men Don't Cry debuted at 30. The new song also set the pace this week as the most added song with 99 stations on board.
"Country radio has given me an amazing career already," said McGraw. "I'm 20 years into it, so to be having my highest chart debut ever is such a cool thing. I can't thank everyone in radio enough for the support they've shown me over the years and especially now as I'm starting a new chapter with a new label. It means more to me than ever...the best is really yet to come."
Truck Yeah was written by Chris Lucas, Preston Brust, Danny Myrick and Chris Janson and produced by Byron Gallimore and McGraw.
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CD reviews for Tim McGraw
Tim McGraw's collection, "Here on Earth," finds the country star sounding peaceful and down to Earth. He's more meditative than overly active, throughout. It's very much an adult album in that McGraw is speaking from the perspective of maturity, rather than pretending he's still a young man. If he's got any barbecue statins on his white t-shirt, he's not letting on here.
McGraw burns through five mellow tracks before he gets to anything with a discernable beat. ...
Tim McGraw said of his 14th studio album, "Damn Country Music," "It's is all about passion, (taking him back to 1989) "when I came to Nashville to chase my dreams."
Country music has richly rewarded him over the past two decades, and he honors the genre's tradition here. The album gets off to a very traditional start with Celtic folk. The flute and skillful acoustic picking on the opener "Here Tonight" bring a Mark Knopfler tune immediately to mind. ...
The banjo comes first out of the speakers, the opening strains of "Overrated," the lead-off song on Tim McGraw's latest. But with a "1-2-3-4" count, the mood changes and goes for a more modern country approach. McGraw does about the same on the follow-up "City Lights" with Michael Landau's steely, but rocking lead guitar taking over near the conclusion as it does later hard on "Sick of Me" where the protagonist contemplates a need to turn his life around. ...