Sign up for newsletter
 

Ford, Love And Theft lead charts

Thursday, August 16, 2012 – Love And Theft notched its first number one on the Billboard Country Songs chart with Angel Eyes. The duo took over the top from former number one Come Over by Kenny Chesney, which slipped to third on the chart for the week ending Aug. 25. Colt Ford also scored his first number one on the Country Albums chart with "Declaration of Independence."

Ford took over for Zac Brown Band's "Uncaged," which was second. Luke Bryan was third with "tailgates & tanlines," Carrie Underwood fourth with "Blown Away" and Chesney fifth with "Welcome to the Fishbowl."

Lee Brice was 12th with "Hard 2 Love," up 3. Rascal Flatts also moved up 3, to 16, with "Changed." The Band Perry's self-titled debut was up 4 to 21. "The Greatest: The Number Ones" from Johnny Cash debuted at 28. Janna Kramer's self-titled debut was up 4 to 30. "Clear As Day" from Scotty McCreery jumped 6 to 34. Thompson Square's self-titled debut was up 3 to 35. Another Cash-related disc, "We Walk the Line: A Celebration of the Music of Johnny Cash," a concert featuring various artists, debuted at 38.

On the song chart, Gloriana was second, up one, with (Kissed You) Good Night. Blake Shelton was fourth with Over, while Little Big Town stayed fifth with Pontoon. Hunter Hayes held down the 10th spot with Wanted, up 1.

Underwood was at 17, up 3, with Blown Away. The rest of the top 30 had little movement.

On the Bluegrass Albums chart, Old Crow Medicine Show stayed first with "Carry Me Back." Trampled By Turtles again was second with "Stars And Satellites" and Jerry Douglas third with "Traveler." "The Gospel Side of Dailey & Vincent" was fourth with Alison Krauss & Union Station's "Paper Airplane" fifth.

On the overall top 200, Ford was 5th, Zac Brown Band 6th, Bryan 15th, Underwood 16th and Chesney 18th.

More news for Love and Theft

CD reviews for Love and Theft

Whiskey on My Breath
Going the indie route generally is viewed as entrepreneurial. For Love and Theft's Stephen Barker Liles and Eric Gunderson, it was a necessity. The duo is proof that the chart summit is not all it's cracked up to be. After hitting number 1 with 2012's "Angel Eyes," they were dropped by RCA Nashville last year when their follow up singles flopped. With their final album for the label shelved and unable to legally recut the tracks they had recorded, "Whiskey On My »»»
Love And Theft CD review - Love And Theft
A lot has happened to Love and Theft since they debuted in 2009. They're down to a trio - Eric Gunderson and Stephen Barker Liles - since Brian Bandas left two years ago. They've switched labels as well, and instead of being forgotten after one hit single (Runaway), they're emerging again thanks to the single and lead-off track Angel Eyes. There's more than that going on though. Gunderson and Liles both sing well, trading leads and harmonizing often with each other (If You »»»
World Wide Open CD review - World Wide Open
What if you held auditions for lead singer within your band and everyone got the job? It happens. All three members of Love and Theft - Brian Bandas, Eric Gunderson, and Stephen Barker Liles - share the vocal duties, acting as each other's backups and plugging in harmonies (think early Eagles) wherever possible. In the wake of a tour opening for Taylor Swift, the pin-up gents from everywhere (Austin by way of Charlotte and Clearwater, Fla.) now venture forth with their debut to the eager »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Lewis (and her daughters) make beautiful music (occasionally) and carry on the legacy Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear until 1990.... »»»
Hancock shows he's still "Man of the Road" Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road." "Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would... »»»
With "Headlights," Della Mae turns it up Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
A Long Way Back: The Songs of Glimmer CD review - A Long Way Back: The Songs of Glimmer
It's not uncommon for artists to tour and play complete records during album anniversary years, but Kim Richey has taken the extra (and much appreciated) step of rerecording "Glimmer," and giving it the title,  »»»
Lady Like CD review - Lady Like
When it comes to the love department, life seemingly has not very kind at all to Ingrid Andress. That's more than apparent for Andress on her eight-song EP debut. She sure thinks a lot about love and its associated problems, »»»
To Live In Two Worlds Volume 1 CD review - To Live In Two Worlds Volume 1
Fans of Eric Brace and Peter Cooper are certainly familiar with the guitarist and singer-songwriter, Thomm Jutz, who has become the third member of that trio over the past few recordings. Jutz is increasingly »»»
Blindsided CD review - Blindsided
It's appropriate that singer/songwriter Mark Erelli takes a different tack with the aptly named "Blindsided," an album exploreing the inner sanctums of the soul and the conflicts that inevitably shake one's perceptions »»»
Your Life is a Record CD review - Your Life is a Record
Whenever Brandy Clark's "Your Life is a Record" is described as the work of a smart, female singer/songwriter - an inevitable characterization - you may immediately picture 11 sophisticated pop songs. And make no mistake »»»
Getting Good CD review - Getting Good
Lauren Alaina's "Getting Good" may not measure up to a traditionalist's high standards, but as a pop-country compromise, it's pretty darn good. Whether it's the fiddle running through the proving-I'm-country "In My Veins," »»»