Aldean rides "Night Train" to Platinum
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Aldean rides "Night Train" to Platinum

Thursday, December 13, 2012 – Jason Aldean went Platinum with "Night Train," earning the status four weeks after its Oct. 16 release.

Platinum means the disc has moved 1 million units. The album debuted at number 1 on the Billboard Top 200 and doubling the first week sales numbers of his previous album, the Double Platinum "My Kinda Party."

Aldean will join a lineup that includes Justin Bieber, Taylor Swift, Pitbull and Psy to ring in the New Year with a three-song performance on Dick Clark's New Years Rockin' Eve with Ryan Seacrest 2013 starting at 10 a.m. eastern time on ABC.

Aldean's second single off "Night Train, The Only Way I Know, featuring Luke Bryan and Eric Church, is in the Top 15 on the Billboard chart. The album's lead single, Take A Little Ride, was number one for three weeks to become the longest running chart-topper of the year and Aldean's sixth consecutive number one single.

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CD reviews for Jason Aldean

CD review - 9 Hollywood may be pushing a broadminded agenda where there are more genders than one can even count, but in Jason Aldean's world, there are only two: tough guys, and the women that love them. There's no confusion it's a guy in the "Camouflage Hat," for example. Also, nothing is said or done without also washing it down with alcohol. The opener,"Tattoos and Tequila," breaks it down into tattoos to remember, and tequila to forget. Within its booze for every ...
CD review - Rearview Town If you liked Jason Aldean's three previous number one albums, you'll like "Rearview Town." He sticks to the winning formula that has brought him past success. The 15 tracks are mainly juiced up, muscular numbers with scorching guitar. Ironically, amid the torrid tempos and high volume that dominate the collection, the ballads are the standouts, especially with the duet with the Miranda Lambert on "Drowns The Whiskey." Instead of whiskey drowning a memory, the inverse ...
CD review - Old Boots, New Dirt Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little ...

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