Sign up for newsletter
 

Kimbrough finds "Seaside Love"

Monday, November 18, 2013 – Americana artist Will Kimbough will drop "Sideshow Love" on Feb. 18, 2014.

"A good album really should be like a volume of short stories," Kimbrough said. "It should have a beginning and an end, and what happens in between is up for grabs, as long as it fits the theme. The idea of this album is that everybody wants somebody to love and somebody to love them, and what you get when you find that is a lot of responsibility. If it's going to succeed, you've got to work it out over the long haul."

Kimbrough anchored the disc on Home Economics, a cynical, tongue-in-cheek take on the differences between men and women inspired by a friend's divorce. The tune employs a 1920s New Orleans string band jazz sound conjured by Kimbrough's banjo and slide guitar and Paul Griffith's dusty snare drum. Lisa Oliver Gray, who completes the album's core trio, adds her voice.

"When I wrote that song I knew that I really had something. It felt like an album could be built around it," Kimbrough said. "So I started going through the 50 or 60 songs I'd written over the past few years and began pulling together the ones that seemed to fit."

Kimbrough had accumulated those songs while playing guitar in Emmylou Harris' band. "The songs I was culling combined elements of blues and country, and there was a vein of soul music running through a lot of them, which all made sense to me, because I've always been eclectic and I enjoy those styles a lot. Between that music and The Beatles is where I usually gravitate."

"I didn't want these stories to have an unhappy ending, so I chose 'Emotion Sickness' as the last tune," Kimbrough relates. It's a country song with a strong soul feel conjured by the gentle tremolo of Kimbrough's electric guitar, an airy arrangement and a molasses pace that underscores the promise of heartbreak's passing.

Kimbrough produced and recorded most of the album in his home studio, which he's primarily used for demos in the past. He played acoustic and electric guitars, banjo and mandolin. In addition to kit drums, Griffith added Indian clay pot to Let the Big World Spin, a riff-mad blues about lust and sex. Griffith is a frequent collaborator of Kimbrough's who has played on all of his albums since 2006's "Americanitis" and a fellow member of the band DADDY. He has also joined Kimbrough on stage or in the studio with Harris, Snider and many others.

Kimbrough released "Wings" about four years ago. He spent most of the time since early 2011 traveling with Harris. Kimbrough has also provided plenty of self- and co-penned cuts for a list of artists that includes Little Feat, Jack Ingram and a dozen numbers cut by Jimmy Buffett.

"To have an ongoing relationship at that level in this business is really a gift," Kimbrough said.

"I've learned a lot about how to conduct myself in front of an audience," Kimbrough said. "I've seen stars backstage totally freaked out about not knowing the lyrics to a song, and then step into the spotlight looking totally cool and collected. You've got to take away the fear. And Rodney taught me that you've got to write every day - even on the days when you can't sit down in a room by yourself with a note pad for three hours. You've got to keep your eyes and ears open 24/7, and when something interesting happens or gets said, write it down. I try to write a song first thing every morning, just to keep my chops up."

He traces the beginning of his rich and varied career back to his 12th birthday, in 1976 when his parents bought him a $20 electric guitar and amp and a ticket to see Bruce Springsteen's "Born To Run" tour at the local theater in his native Mobile, Ala.

"That was a big deal, because my mom and dad had spent $32.50 on my presents, which was a lot for them, and from that day on I've never had a job except for playing guitar and writing songs," Kimbrough says. "They probably figure that was the best or worst $32.50 they every spent."

In the early '80s Kimbrough moved to Nashville with his first original band, Will and the Bushmen, and was quickly signed to a major label deal. "We were swallowed up and passed out the other side," he said, chuckling. Next came the Bis-quits, with fellow songwriting kingpin Tommy Womack.

Kimbrough met Todd Snider on the same night the Bis-quits signed their record deal. They quickly became co-writers and musical compadres. Their collaboration has yielded a host of songs and two Kimbrough-produced Snider albums, "East Nashville Skyline" and "The Devil You Know."

Kimbrough began his string of solo albums with "This," released in 2000. Since then he's formed another band with Womack, DADDY, that's cut two albums.

Kimbrough's recently added another band to his resume. Willie Sugarcapps, an aggregation of all-star indie songwriters that also features Grayson Capps, Corky Hughes, and Anthony Crawford and Savana Lee of the duo Sugarcane Jane, was formed last year after a particularly fertile meeting at a songwriter's night at the Frog Pond in Silverhill, Ala. The group released a self-titled debut album in August.

"I have a lot going on and I work really hard, and I value the time I have with my family," Kimbrough said. "But I think that if I worked in an office at a day job somewhere I'd work just as hard at that. So when it comes to taking on new projects like Willie Sugarcapps or playing with artists of the stature of Emmylou or working on new projects with Todd, I consider all of those things opportunities - to write new songs, to grow, to make new albums. That's all I've ever wanted to do."

More news for Will Kimbrough

CD reviews for Will Kimbrough

I Like It Down Here
Will Kimbrough is best known as a session and touring guitarist with such artists as Rodney Crowell and Emmylou Harris, but with "I Like It Down Here" the Nashville-based multi-instrumentalist serves up his eighth solo release. There is a dark mood through much of the album particularly with "Alabama," the grim true story of the 1981 lynching of Michael Donald conveyed via the omniscient narration of the victim ("Those men went down/Justice did prevail/But I'm still gone"). »»»
Sideshow Love CD review - Sideshow Love
Will Kimbrough's been around a long time, with his early band Will & the Bushmen signed to a short-lived major label contract and his tenure in the Bis-Quits with Tommy Womack a notable footnote, but despite extensive credits as an artist he's still mostly lauded for his production, songwriting and sideman roles for others including Todd Snider and Jimmy Buffett. The Willie Sugarcapps ad hoc collective he formed with Grayson Capps and other Alabama natives released a great rootsy album »»»
Wings CD review - Wings
On his fifth solo effort, Will Kimbrough succeeds with a simple, but soulful approach that is as engaging as it is quietly low-key. An in-demand songwriter, he has plenty of nuggets on "Wings" that will likely attract the interest of other performers. The title track was co-penned by Jimmy Buffett, who includes his version of the song on his latest effort along with two other Kimbrough co-writes and Daddy's Nobody from Nowhere. Kimbrough has indicated his novel intention »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tillis unlocks "Looking for a Feeling" "It had been a while since I'd given my fans any new solo music," Pam Tillis explains, when asked about the motivation behind recording her album "Looking for a Feeling." Until recently, Tillis mostly busied herself by recording and touring with... »»»
Hull takes "25 Trips" Sierra Hull would be the first to tell you that releasing a new CD in the teeth of a global pandemic is a challenge. "It's very strange...just adjusting to being home and knowing what that feels like. It's the most I've... »»»
Lewis (and her daughters) make beautiful music (occasionally) and carry on the legacy Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear... »»»
Hancock shows he's still "Man of the Road" Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road." "Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would... »»»
With "Headlights," Della Mae turns it up Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
The Mavericks "Play the Hits" When recording its album "Play the Hits," The Mavericks approached this covers album in much the same way the band creates any of its other studio albums. "Above all, we're always trying to reach a certain musical... »»»
Larue moves "Onward" The release of "Onward," his eighth studio album, finds veteran Texas Music/Red Dirt artist Stoney Larue at a crossroads. After almost two decades on the road, playing 200 shows a year across America... »»»
Neon Cross CD review - Neon Cross
Many records are touted as inspiring, but few albums actually live up to that billing by actually striking sentiments worthy of universal appeal. In Jaime Wyatt's case, there's never any doubt, »»»
Tessy Lou Williams CD review - Tessy Lou Williams
Welcome country traditionalist Tessy Lou Williams who hails from Montana, the daughter of two musicians who emigrated from Nashville to Willow Creek, Mont. (population 210). Her parents toured with their »»»
Ready for the Horses CD review - Ready for the Horses
"It ain't for the faint of heart," Jarrod Dickenson croons on the lead-off track on "Ready the Horses," a rallying cry meant to inspire the reticent among us in this era of distrust »»»
Songs I Can't Live Without CD review - Songs I Can't Live Without
After a seven-year hiatus, Marshall Chapman is back with "Songs I Can't Live Without," her 14th release and eighth on her own label. The 71-year-old singer-songwriter-author-actress had intended to retire from music »»»
Copy That CD review - Copy That
Nine songs in, Sara Evans finally unleashes a country song that she wanted to cover. And it's one of the most copied songs at that - Hank's "I'm So Lonesome I Could Cry." The cut is a decided left turn from the rest »»»
Reunions CD review - Reunions
"It gets easier, but it never gets easy," Jason Isbell reminds us on the song "It Gets Easier." It's a simple couplet, utilizing small words, yet it expresses a big truth. Then, with the song's first verse, Isbell - a recovering alcoholic  »»»
Hold My Beer, Vol. 2 CD review - Hold My Beer, Vol. 2
As its title suggests, this 12-song Randy Rogers and Wade Bowen duet album is a mostly lighthearted affair. Whether the pair is only slightly concerned about unhealthy behaviors with "Habits" or jesting about the world's »»»
The K is Silent CD review - The K is Silent

"Hot Country Knights" is Dierks Bentley as you've never experienced him before. At least when it comes to the lyrics. Hot Country Knights - the alter ego of Bentley (aka Douglas "Doug" Douglason - he's one in the middle »»»

Here and Now CD review - Here and Now
For many years now, Kenny Chesney has been the number one yacht country artist; one never spotted far from an ocean or without an adult beverage in his hand. However, this album's title track expresses a much »»»
Good Souls Better Angels CD review - Good Souls Better Angels
"You can't rule me," Lucinda Williams declares on the song of the same name, the defiant lead-off song on her blistering new album "Good Souls Better Angels," her most archly determined effort yet. That says a lot, given the fact »»»
Looking for a Feeling CD review - Looking for a Feeling
Pam Tillis was all over the charts in the early-to mid '90s, with 13 top 10 hits, three platinum albums, two golds, a Grammy and a Female Vocalist of the Year Award from the CMA. But she hasn't released a solo non-holiday album »»»