Moore gladly takes the "Blame"
Tuesday, February 3, 2015 – Kip Moore is taking the fall with his new single, and so far, that's a good thing.
"I'm To Blame" was the second most added song this week at country radio, marking Moore's biggest first week for a new single. The song features Moore's raspy voice over a driving back beat highlighted with a rolling banjo. Moore wrote the song with Justin Weaver and Westin Davis.
"I've learned that sometimes when you're in a relationship, especially if you're trying to keep the relationship, it's better just to admit that something was your fault so everybody can move on," said Moore. "I thought that sort of truth-telling was a good way to set the tone for the new album. I'm excited about the new path we're taking for this next record. I have written so many songs over the past two years, and I really had to step back and look at all of them and make some hard decisions about what would make the album and what would get cut. It has turned out to be a totally different record than the one I set out recording, and I think a better one."
Moore's sophomore album is slated to be released later this year. Moore released his debut, "Up All Night" in April 2012 and enjoyed big hits with "Somethin' 'Bout a Truck," "Beer Money" and "Hey Pretty Girl." He released two singles as a prelude to his sophomore album, but neither made a big mark on the charts. "Young Love" from November 2013 reached 26 on the Billboard Hot Country Songs chart. "Dirt Road," out in 2014, reached 35 on the Billboard charts.
This summer, Moore will hit the road with Dierks Bentley for his 2015 Sounds of Summer Tour. He is currently nominated for "New Artist of the Year" at this year's ACM Awards, fan voting is open now through Feb. 10 at voteacm.com and VoteACM.CMT.com.
More news for Kip Moore
CD reviews for Kip Moore
Room To Spare: The Acoustic Sessions
Kip Moore's greatest musical selling point is his raspy singing voice. Much like Bob Seger long before him, his is a vocal tone that gets your immediate attention every time you hear it. This EP-length project presents Moore in a quieter setting than usual. That distinctive voice is unavoidable, though, whether revved up or tamped down.
The song that stands out most is "It Ain't California," which is introduced with a beautifully twangy electric guitar riff. »»» |
Slowheart
If you're one of those people who read CD inserts before listening to the music, Kip Moore starts out with one at least one strike against him on his third album. In the two pages of acknowledgements and thank yous (two pages!) there's this mixed metaphor on thank you number one, which goes out to Jesus: "You continually pull me from the sinking sand. . . I'm out of the woods because of your love." Um, not a lot of sand in the woods, Kip.
Thankfully, things get better as »»» |
Underground
Claiming to have too many songs to choose from, Kip Moore's solution to his surplus was to release "Underground," an EP. "Everywhere we go the fans keep asking for the recordings of these underground songs that they've been hearing for the last few years," he said. "They're a passionate fan base so I decided to ask my label if I could record these songs live and give them the raw recordings."
Moore co-wrote all five tracks, which include two studio »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote –
On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day.
The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music –
John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia.
But lest you think that the Alabama... »»»
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