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Monroe sets second album

Monday, May 4, 2015 – Ashley Monroe will release her second album on July 24.

No title has been set for her Warner Brothers Records release. Monroe's close friend and mentor Vince Gill and Justin Niebank, the team that helmed her 2013 debut, produced again.

The video for her first single, "On to Something Good," premieres today exclusively through CMT broadcast and NPR online. The Rachel McDonald-directed piece, which was filmed in Nashville, reflects the upbeat outlook and stylish approach of the song, written by Monroe with Barry Dean and Luke Laird.

Monroe recently celebrated her first number one at country radio, the "Lonely Tonight" duet with Blake Shelton.

Monroe, who is also one-third of Pistol Annies, is touring with Rascal Flatts and Little Big Town this summer.

The track listing is:
1. On To Something Good
2. I Buried Your Love Alive
3. Bombshell
4. The Weight Of The Load
5. The Blade
6. Winning Streak
7. From Time To Time
8. If Love Was Fair
9. Has Anybody Ever Told You
10. Dixie
11. The Devil Don't Want Me
12. Mayflowers
13. Good At Leavin'

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CD reviews for Ashley Monroe

The Blade CD review - The Blade
Ashley Monroe gains more acclaim for other projects than she does for her own solo efforts. Monroe is one third of side group Pistol Annies. She sang with Blake Shelton on his hit "Lonely Tonight." She received praise for her first proper solo album (her ill-fated Satisfied" was released three years after its completion by her former label, Sony), "Like a Rose," in 2013, although that was a release that stood on the strength of the songs because three singles produced zero hits. »»»
Like A Rose CD review - Like A Rose
From the time the needle lands on the first groove of this album, with its plucky guitar and whirling accordion, until the raucous nod-and-a-wink of the roaring honky-tonk call-and-response of the final song, You Ain't Dolly (And You Ain't Porter), Ashley Monroe's pure country voice, reminiscent of Elizabeth Cook and Dolly Parton, grabs you. Gilded in soft beauty of Vince Gill's and Michael Rhodes' thumping guitars and Paul Franklin's luscious steel licks, the »»»