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Berklee honors Burnett, Welch, Rawlings

Tuesday, February 16, 2016 – Berklee College of Music will present American Master Awards to T Bone Burnett and Gillian Welch and David Rawlings on March 15.

The presentation will be made on the Music City Roots weekly music broadcast from the Factory in Franklin, Tenn. The show will feature performances by Berklee alumni Sierra Hull ('11), Liz Longley ('10) and Maureen Murphy ('99). Berklee alumni Welch and Rawlings will perform as well, closing the show following presentation of the awards.

The American Master Award is presented by Berklee to industry leaders whose "openness, generosity and deep commitment to music education have made a positive impact on the lives of young musicians, providing them opportunities to grow as artists and leaders," according to a Berklee press release.

"We've enjoyed the music of quite a few Berklee graduates and students on Music City Roots over the years, and we know what an important role the college has played in supporting roots and Americana artists to develop fresh and original takes on tradition, so this special show means a lot to us," says the show's journalist and artist interviewing co-host Craig Havighurst.

Berklee at Music City Roots, Live at the Factory is open to the public and tickets will be available at Music City Roots. The show will air on participating public radio affiliates around the country on a future date.

The show will be webcast free via Livestream at 7 p.m. central.

More news

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Boots No. 1: The Official Revival Bootleg CD review - Boots No. 1: The Official Revival Bootleg
Gillian Welch's album "Revival" was a revelation. The fact that T Bone Burnett - the ultimate roots rock curator - produced it, gave good reason to give it immediate attention, and insightful songs like "Barroom Girls" and "By the Mark" cemented the news that Welch was truly something special. With "Boots No. 1: The Official Revival Bootleg," Welch has expanded the original 10-track album into a 21-song opus. And while this extensive collection of »»»
The Harrow & the Harvest CD review - The Harrow & the Harvest
Eight years ago, Gillian Welch and David Rawlings released the exploratory and occasionally misunderstood "Soul Journey," where Welch took a more directly personal stance in her writing as the duo injected a shade more vitality (and electricity) into their old time musical presentation. Maybe the album's mixed reviews had a negative impact on Welch, or maybe her creative well was lowered by a quartet of excellent albums over a seven-year period. In any event, Welch was beset by a »»»
A Friend of a Friend CD review - A Friend of a Friend
Although he's often the accompanying yin to Gillian Welch and her Appalachian-inspired yang, Dave Rawlings has branched out with this new project and album. Although not the standard 10 or 11-song album, Rawlings nails most of these songs out of the park, especially the lovable and endearing first effort Ruby which sounds like the perfect b-side to the Stones' Angie. The song is also accented with fiddle and keys, but not at the expense of the fine melody. From there, Rawlings tones »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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