Moore goes "Underground"
Tuesday, October 18, 2016 – Kip Moore will release a five-song EP, "Underground," on Oct. 28.
Moore had a hand in writing all five songs with three recorded live during tours.
"The problem I often face is leaving behind some songs, because I never stop writing," said Moore. "I write so many that some never see the light of day. I've been working on a full record, which looks to be coming out in late spring, but everywhere we go the fans keep asking for the recordings of these underground songs that they've been hearing for the last few years. They're a passionate fan base. So, I decided to ask my label if I could record these songs live and give them the raw recordings. These songs are completely separate from the new record I've been making, I simply made this EP for the true fans."
The track list is:
1. All Time Low
(Kip Moore, Westin Davis, Luke Dick)
2. My Kind
(Kip Moore, Erik Dylan, Justin Weaver)
3. Midnight Slow Dance (Live)
(Kip Moore, Mike Elizondo, Dan Couch)
4. Separate Ways (Live)
(Kip Moore, Jordyn Mallory, Dan Couch)
5. My Baby's Gone (Live)
(Kip Moore, William Rinehart, Nathaniel Rinehart)
The EP follows the release of Moore's sophomore album "Wild Ones."
More news for Kip Moore
CD reviews for Kip Moore
Room To Spare: The Acoustic Sessions
Kip Moore's greatest musical selling point is his raspy singing voice. Much like Bob Seger long before him, his is a vocal tone that gets your immediate attention every time you hear it. This EP-length project presents Moore in a quieter setting than usual. That distinctive voice is unavoidable, though, whether revved up or tamped down.
The song that stands out most is "It Ain't California," which is introduced with a beautifully twangy electric guitar riff. »»» |
Slowheart
If you're one of those people who read CD inserts before listening to the music, Kip Moore starts out with one at least one strike against him on his third album. In the two pages of acknowledgements and thank yous (two pages!) there's this mixed metaphor on thank you number one, which goes out to Jesus: "You continually pull me from the sinking sand. . . I'm out of the woods because of your love." Um, not a lot of sand in the woods, Kip.
Thankfully, things get better as »»» |
Underground
Claiming to have too many songs to choose from, Kip Moore's solution to his surplus was to release "Underground," an EP. "Everywhere we go the fans keep asking for the recordings of these underground songs that they've been hearing for the last few years," he said. "They're a passionate fan base so I decided to ask my label if I could record these songs live and give them the raw recordings."
Moore co-wrote all five tracks, which include two studio »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote –
On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day.
The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music –
John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia.
But lest you think that the Alabama... »»»
|
|
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear until 1990.... »»»
Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road." "Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would... »»»
Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
A Long Way Back: The Songs of Glimmer
It's not uncommon for artists to tour and play complete records during album anniversary years, but Kim Richey has taken the extra (and much appreciated) step of rerecording "Glimmer," and giving it the title, »»» |
Lady Like
When it comes to the love department, life seemingly has not very kind at all to Ingrid Andress. That's more than apparent for Andress on her eight-song EP debut. She sure thinks a lot about love and its associated problems, »»» |
To Live In Two Worlds Volume 1
Fans of Eric Brace and Peter Cooper are certainly familiar with the guitarist and singer-songwriter, Thomm Jutz, who has become the third member of that trio over the past few recordings. Jutz is increasingly »»» |
Blindsided
It's appropriate that singer/songwriter Mark Erelli takes a different tack with the aptly named "Blindsided," an album exploreing the inner sanctums of the soul and the conflicts that inevitably shake one's perceptions »»» |
Your Life is a Record
Whenever Brandy Clark's "Your Life is a Record" is described as the work of a smart, female singer/songwriter - an inevitable characterization - you may immediately picture 11 sophisticated pop songs. And make no mistake »»» |
Getting Good
Lauren Alaina's "Getting Good" may not measure up to a traditionalist's high standards, but as a pop-country compromise, it's pretty darn good. Whether it's the fiddle running through the proving-I'm-country "In My Veins," »»» |
|
