Aldean opens SNL, playing Petty song
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Aldean opens SNL, playing Petty song

Sunday, October 8, 2017 – Jason Aldean, who was playing the Las Vegas concert at which 58 people were killed on Sunday, was a surprise opening guest of Saturday Night Live with an introductory statement before playing Tom Petty's "Won't Back Down.

Aldean appeared at the outset of the show, stating, "This week, we witnessed one of the worst tragedies in American history. Like everyone, I'm struggling to understand what happened that night and how to pick up the pieces and start to heal. So many people are hurting. There are children, parents, brothers, sisters, friends. They're all part of our family. So I want to say to them, we hurt for you and we hurt with you. But you can be sure that we're going to walk through these tough times together, every step of the way. Because when America is at its best, our bond and our spirit - it's unbreakable."

With that, Aldean and his band played Petty's song. Petty died on Monday of cardiac arrest.


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CD review - 9 Hollywood may be pushing a broadminded agenda where there are more genders than one can even count, but in Jason Aldean's world, there are only two: tough guys, and the women that love them. There's no confusion it's a guy in the "Camouflage Hat," for example. Also, nothing is said or done without also washing it down with alcohol. The opener,"Tattoos and Tequila," breaks it down into tattoos to remember, and tequila to forget. Within its booze for every ...
CD review - Rearview Town If you liked Jason Aldean's three previous number one albums, you'll like "Rearview Town." He sticks to the winning formula that has brought him past success. The 15 tracks are mainly juiced up, muscular numbers with scorching guitar. Ironically, amid the torrid tempos and high volume that dominate the collection, the ballads are the standouts, especially with the duet with the Miranda Lambert on "Drowns The Whiskey." Instead of whiskey drowning a memory, the inverse ...
CD review - Old Boots, New Dirt Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines,' as Aldean spends a little ...


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