Ordinary Elephant, Giddens take Folk Alliance honors
Thursday, February 15, 2018
– Ordinary Elephant, the husband-and-wife duo of Crystal and Peter Damore, won the Artist of the Year award on Wednesday at the Folk Alliance International 30th annual festival Kansas City.
Other winers were:
Album of the Year: "Freedom Highway," Rhiannon Giddens
Song of the Year: "You Didn't Call My Name," Molly Tuttle
Spirit of Folk Awards: Kristian Blak, Richard Gillmann, Martyn Joseph, Anais Mitchell, Betse Siggins
The People's Voice Award: Bonnie Raitt
The Clearwater Award: Winnipeg Folk Festival
Folk DJ Hall of Fame Inductees: Dick Pleasants, Fiona Ritchie, Mary Cliff
Lifetime Achievement Awards: Peter, Paul and Mary (Living), Richie Havens (Legacy), Elektra Records (Business/Academic)
Finalists for the 2017 Album, Song and Artist of the Year awards are based on U.S., Canadian, and International industry year-end lists as well as Folk DJ airplay. Winners are determined by the voting membership of Folk Alliance International and the results are announced annually.
More news for Rhiannon Giddens
CD reviews for Rhiannon Giddens
Rhiannon Gidden's "Freedom Highway" takes an expansive look at the Black experience in America. "Better Get It Right the First Time" utilizes a gospel-y call and response format to tell the tragic story of a Black life that mattered. However, Giddens goes all the way back to slavery days for the lyrics to "At the Purchaser's Option." In between, "Birmingham Sunday" hearkens back to the Civil Rights movement and that relatively recent fight for freedom. »»»
As a follow up of sorts to her superb solo debut, "Tomorrow Is My Turn," "Factory Girl," a five song vinyl EP released for Record Store Day, doesn't exactly expand any parameters, but does showcase Rhiannon Giddens' remarkable dexterity as both an artist and interpreter of traditional melodies.
Like an earlier work, 2009's "All the Pretty Horses" (recorded with Roger Gold and Mara Shea), it finds her covering a series of mostly obscure folk tunes, but »»»
Tomorrow is My Turn
Rhiannon Giddens is best known for her role in Carolina Chocolate Drops, and the album "Tomorrow Is My Turn" gives the soulful singer ample opportunity to stretch out on a wide range of cover songs. Produced by T Bone Burnett, a man that knows his way around Americana music, this album is a wonderful showcase for Giddens' talent.
To state the obvious, Giddens has a flexible singing voice. She shows this off by going from the soulful "Last Kind Words" to the thumping »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote
On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day.
The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music
John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia.
But lest you think that the Alabama... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
Linda Gail Lewis has several interesting bullet points on her lengthy resume. She released her first singles in 1963 at age 16, and her first solo album, "The Two Sides of Linda Gail Lewis," in 1969 when she was just 22; her follow up album wouldn't appear until 1990.... »»»
Wayne Hancock exhibits his well-defined self-deprecation while describing the nature of his vinyl/digital only release, "Man of the Road." "Yeah, greatest hits," he says with a raspy chortle, the sound that every smoke-filled, whiskey-soaked roadhouse he's ever loaded into would... »»»
Ten years on, Della Mae has covered a lot of ground in the world of bluegrass, and the band is meeting the challenges of building a sustaining, long-term career with its latest release "Headlights."... »»»
One of Ashley McBryde's breakthrough hits was the autobiographical "Girl Goin' Nowhere," about people who had cruelly cast doubts upon her music career aspirations. Now, in an act akin to paying it forward, McBryde opens »»»
Eliza Gilkyson hasn't ascended to the upper ranks of todays's foremost singer/songwriters purely on happenstance alone. Her albums affirm a belief in music as an essential salve, especially in times of dire distress and turmoil. »»»
A Long Way Back: The Songs of Glimmer
It's not uncommon for artists to tour and play complete records during album anniversary years, but Kim Richey has taken the extra (and much appreciated) step of rerecording "Glimmer," and giving it the title, »»»
When it comes to the love department, life seemingly has not very kind at all to Ingrid Andress. That's more than apparent for Andress on her eight-song EP debut. She sure thinks a lot about love and its associated problems, »»»
To Live In Two Worlds Volume 1
Fans of Eric Brace and Peter Cooper are certainly familiar with the guitarist and singer-songwriter, Thomm Jutz, who has become the third member of that trio over the past few recordings. Jutz is increasingly »»»