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Niemann announces new tour

Tuesday, November 26, 2019 – Jerrod Niemann will headline the Ghost Rider Tour, starting in February 2020, he announced today.

The initial trek is set to kick off on Feb. 6 in San Diego, hitting several west coast cities before heading inland and wrapping in Cheyenne, Wyo. on Feb. 21. Niemann has said he would play new songs during his tour.

"I'm so excited to hit the road again in 2020," said Niemann. "Over the past year, we got to play some of our favorite dives, honky-tonks, theaters and beach bars, but most of all, we got to see so many familiar faces out in the crowd every night. We're hoping the Ghost Rider Tour ends up being an extension of the party we started this year. There's gonna be a lot of new music cranked up, more cold beer thrown down and some brand-new places and faces we've never had the chance to get rowdy with. I can't wait."

Tickets go on sale this Friday.

Tour dates are:
Feb. 6 Moonshine Beach - San Diego, CA
Feb. 8 The Brandin' Iron - San Bernardino, CA
Feb. 9 The Canyon Club - Santa Clarita, CA
Feb. 10 The Siren - Morro Bay, CA
Feb. 11 Club Rodeo - San Jose, CA
Feb. 13 Goldfield Trading Post - Sacramento, CA
Feb. 14-15 Cactus Petes Resort Casino - Jackpot, NV
Feb. 16 Cowgirls - Kuna, ID
Feb. 19 Aggie Theatre - Fort Collins, CO
Feb. 20 The Gaslight Social - Casper, WY
Feb.21 Terry Bison Ranch - Cheyenne, WY

More news for Jerrod Niemann

CD reviews for Jerrod Niemann

This Ride CD review - This Ride
One thing you can never call Jerrod Niemann is boring. When he's at the top of his game, there are few singers in Nashville better suited to bridge the divide between pop and country. At the other side of the spectrum, something like "Donkey" may fail, but at least it fails spectacularly. "This Ride" continues to show off Niemann's ease at adapting pop sensibilities into country music, but his misses seem a bit more formulaic than past efforts. »»»
High Noon CD review - High Noon
Jerrod Niemann's new "High Noon" album is better than the annoying single, "Drink to That All Night," might lead you to believe. Fortunately, the album is not completely a Luke Bryan sound-alike. Even so, there are moments where Niemann sometimes sounds a little too much like his musical contemporaries. The rap-influenced "Donkey" has a bit of Big & Rich flavor running through it, while the resigned tone in Niemann's voice during "Lucky #7" »»»
Free The Music
Some artists dance to the beat of a different drummer and on his latest recording, "Free the Music," Jerrod Niemann does just that. Stepping away from more conventional Music Row sounds, Niemann performs a mash-up of genres, showcasing elements of pop, rock, Dixieland jazz and more while still managing to keep his feet squarely in country territory. The title track leads off, finding the artist seemingly channeling fellow artist, Big Kenny, as he throws it all into a pot and stirs, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Gayle, Orlando provide good old-fashioned entertainment – Although this pairing of country star Crystal Gayle and Tony Orlando may have - on the surface - appeared to be an odd one, tonight's audience demonstratively loved each performer equally. It was an evening of memorable songs, fun and funny stories and just good old-fashioned entertainment. Gayle opened the show with a strong set of country... »»»
Concert Review: With or without band, Isbell satisfies – Usually, when an artist performs without his regular backing band, it becomes about mathematics of subtraction. That artist is armed with far fewer artistic weapons at his/her disposal, after all. In Jason Isbell's case, though, when he performed with just his wife and fiddler Amanda Shires, it was more about substitution than subtraction.... »»»
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