Niemann sets PR
Monday, July 27, 2015 – Jerrod Niemann set a new career benchmark today with the quick success of his single, "Blue Bandana," which celebrated its official country radio impact date with 83 first-week Billboard and Country Aircheck monitored stations on board.
"Blue Bandana" enjoyed the biggest impact week of Niemann's career to date and was Mediabase's most-added new country song this week.
The song is the first single from Niemann's upcoming album, was produced by Jimmie Lee Sloas and Niemann.
Niemann's previous career-high impact week was 72 first-week stations for his now-Platinum-certified multi-week chart topper, "Drink to That All Night."
More news for Jerrod Niemann
- 08/07/20: Niemann doubles up
- 11/26/19: Niemann announces new tour
- 01/29/19: Niemann returns to the road
- 05/04/16: Niemann, Brice duet
- 01/27/16: Brice alters tour plans due to Farr surgery
- 11/05/12: Niemann visits "Marie" today
- 10/02/12: Niemann, Shelton lead new discs
- 09/28/12: Niemann streams new disc free
CD reviews for Jerrod Niemann
One thing you can never call Jerrod Niemann is boring. When he's at the top of his game, there are few singers in Nashville better suited to bridge the divide between pop and country. At the other side of the spectrum, something like "Donkey" may fail, but at least it fails spectacularly. "This Ride" continues to show off Niemann's ease at adapting pop sensibilities into country music, but his misses seem a bit more formulaic than past efforts. ...
Jerrod Niemann's new "High Noon" album is better than the annoying single, "Drink to That All Night," might lead you to believe. Fortunately, the album is not completely a Luke Bryan sound-alike.
Even so, there are moments where Niemann sometimes sounds a little too much like his musical contemporaries. The rap-influenced "Donkey" has a bit of Big & Rich flavor running through it, while the resigned tone in Niemann's voice during "Lucky #7" ...
Some artists dance to the beat of a different drummer and on his latest recording, "Free the Music," Jerrod Niemann does just that. Stepping away from more conventional Music Row sounds, Niemann performs a mash-up of genres, showcasing elements of pop, rock, Dixieland jazz and more while still managing to keep his feet squarely in country territory.
The title track leads off, finding the artist seemingly channeling fellow artist, Big Kenny, as he throws it all into a pot and stirs, ...
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