Toby Keith's greatest coming
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Toby Keith's greatest coming

Tuesday, February 5, 2008 – Look for a Toby Keith greatest hits package in May.

Prior to starting Show Dog Nashville, Keith most recently was on DreamWorks from 1999-2005. A compilation of his hits from his DreamWorks days looks likely for a May 13 release date. No list of songs on the release were disclosed. Nor was whether any new tracks will be available on the CD.

Among the hits Keith had on DreamWorks was "How Do You Like Me Now?," "You Shouldn't Kiss Me Like This," "I Wanna Talk About Me," I'm Just Talkin' About Tonight," Courtesy of the Red, White and Blue," "Beer for My Horses," "Who's Y our Daddy?," "I Love This Bar" and "As Good As I Once Was."


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CD reviews for Toby Keith

CD review - Peso In My Pocket Toby Keith's core competency is traditional country, and he remains true to it that sound on "Peso in My Pocket," his first studio album in six years and a spawn of the pandemic. One of the first things you notice are the songwriting credits. The Warrren Brothers, Maren Morris and Ryan Hurd help populate part of the roster. The album leads off with It leads off with the catchy regional favorite "Oklahoma Breakdown," it is followed by an ode to better times on "Old School. ...
CD review - The Bus Songs People of a certain age can recall a time in America when a polyester-clad party host would reward late-night diehards with a "blue" record. These vinyl gems (or bootleg tapes) would be funny and frank, both in their language and adult subject matter. They paired well with alcohol, and just owning them could make someone a little cooler by association. Such a concept might mystify millennials who can punch up any song they imagine. But Toby Keith remembers. This collection of ...
CD review - 35 mph Town Way back in the '90's, before millions of dollars, high profile political feuds and moguldom, Toby Keith could really sing and write a pretty good song! News flash! He still can on his nostalgic, 18th album. You can hear an unexpected Merle Haggard influence all over this record. The title cut, "35 MPH" evokes a Haggard vibe. Think "Roots Of My Raising - 2015" as Keith laments the loss of the commonplace, now gone forever. What could've easily been an appeal ...


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