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Early Buck Owens recordings coming out

Tuesday, August 23, 2011 – 1.

Buck Owens' early recordings for southern California independent labels will be available this fall.

"Buck Owens - Bound for Bakersfield 1953-1956: The Complete Pre-Capitol Collection" will be out on Rockbeat Records on Sept. 27. The disc includes songs he recorded for Pep, Chesterfield and La Brea Records.

The 24-song reissue opens with selections from his first known session in 1953 in Hollywood, which produced two singles (Down on the Corner of Love b/w It Don't Show on Me and The House Down the Block b/w Right After the Dance) on Claude Caviness' Pico Rivera-based Pep Records. It closes with a 1956 Bakersfield session that produced singles on Chesterfield Records and an album on La Brea Records. Included are previously unreleased alternate takes including an overdubbed version of Hot Dog.

Liner notes were written by Rich Kienzle, a music historian with special expertise in West Coast country. RockBeat VP or A&R James Austin and Jim Shaw of Buck Owens' Buckaroos compiled the collection.

According to Kienzle's notes, "Buck Owens was 21 when he rolled into Bakersfield from Phoenix in May, 1951, a part-time musician and laborer who had his eye on a musical career. It would take some time. There were lessons to be learned and dues to be paid. But in the final analysis, the Buck of legend, of the raw honky-tonk vocals, catchy commercial tunes, twangy Fender Telecasters and churning, aggressive 'freight train' rhythms was forged in Bakersfield's honky tonks and recording studios there and in L.A. from 1951 to 1957."

Owens is best known for his later Capitol Records hits like Tiger by the Tail, Foolin' Around and Act Naturally. But his '50s pre-Capitol recordings find him working in a honky tonk milieu (except for the rockabilly tracks such as the 1957 single Hot Dog).

Kienzle notes, "Buck Owens was always known for his spot-on instincts. Clearly, his expectation that he'd have no recording career beyond Pep and the odd demo or two was a rare miscalculation. These raw, primal performances, blended with hundreds of hours onstage at the Blackboard (club in Bakersfield), were essentially part of a long rehearsal for the fame that came soon enough."

Songs are:

1. Blue Love (with Studio Chatter) (1953)

2. Down on the Corner of Love (Alternate Take) (1953)

3. Down on the Corner of Love (1953)

4. It Don't Show On Me (Alternate Take) (1953)

5. It Don't Show on Me (1953)

6. The House Down the Block (Alternate take) (1953)

7. The House Down the Block (1953)

8. Right After the Dance (Alternate Take) (1953)

9. Right After the Dance (1953)

10. Hot Dog (1955)

11. Hot Dog (Overdubbed Single) (1955)

12. Rhythm & Booze

13. There Goes My Love (Alternate Take) (1956)

14. There Goes My Love (1956)

15. Sweethearts in Heaven (Alternate Take) (1956)

16. Sweethearts in Heaven (1956)

17. Honeysuckle (1956)

18. Country Girl (Leavin' Dirty Tracks) (1956)

19. You're Fer Me (1956)

20. Blue Love (1956)

21. Please Don't Take Her From Me (1956)

22. Three Dimension Love (1956)

23. Why Don't My Mommy Wanna Stay with Daddy & Me? (1956)

24. I'm Gonna Blow (1956)

More news for Buck Owens

CD reviews for Buck Owens

Country Singer's Prayer CD review - Country Singer's Prayer
When the hits stop coming, country labels move on; loyalty is fleeting, never mind 19 number 1 hits (14 consecutive), more than 40 Top 10 songs, and 15 years with a label. Buck Owens found that out in the mid-'70s as his contract with Capitol was coming to an end, and the label shelved his final album of new material. Unheard since that time except through the expansive Bear Family box-set "Tall Dark Stranger," these recordings hold interest for those who appreciate encountering »»»
Live from Austin, TX
It was hard to find a more significant country artist through the 1960s than Buck Owens. With 21 number ones from 1963 ("Act Naturally," included here) and 1972, including a stretch of 14 in a row, Buck Owens was one of country music's biggest stars, bringing his slant on the Bakersfield Sound to stages, radio and television around the world. In this 1988 Austin City Limits program and nearing 60 years old, Owens appears comfortable with his stature as a torchbearer. »»»
Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection CD review - Bound for Bakersfield: 1953-1956 The Complete Pre-Capitol Collection
Buck Owens had not yet developed the style that would make him a superstar in the '60s when he recorded the songs in this collection for small California labels Pep, Chesterfield and La Brea Records between 1953 and 1956. The Hank Williams influence is heard in the balladBlue Love, Owens' first known recording, as well as early Owens compositions Right After The Dance, Down On The Corner Of Love and It Don't Show On Me. Other impressive Owens compositions are the George Jones »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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