Marty Stuart wins instrumental Grammy
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Marty Stuart wins instrumental Grammy

Sunday, February 13, 2011 – Marty Stuart took home the Grammy on Sunday for Best Country Instrumental Performance for Hummingbyrd from his disc, "Ghost Train: The Studio B Sessions."

Stuart was not at the ceremony, which was held before the prime time event on television.

Others nominated were:

Tattoo Of A Smudge, Cherryholmes from "Cherryholmes IV Common Threads" [Skaggs Family Records]
Magic #9, The Infamous Stringdusters from: "Things That Fly" [Sugar Hill Records]
New Chance Blues, Punch Brothers from "Antifogmatic" [Nonesuch]
Willow Creek, Darrell Scott from: "A Crooked Road" [Full Light]


More news for Marty Stuart


CD reviews for Marty Stuart

CD review - Way Out West Marty Stuart's "Way Out West" is, in part, his tribute to the music of California. The title cut gets straight to the point with a psychedelic journey song, which is as much a warning against drug abuse as it is a physical trip to the golden state. "Time Don't Wait" alludes to much of the garage rock that came out of California '60s, and more specifically points back to The Byrds' heyday with its glorious jangling Rickenbacker guitar part. ...
CD review - Saturday Night/ Sunday Morning Since leaving his 1990s' mainstream country music output in his tracks, Marty Stuart has been on an incredible run, both in terms of quality and quantity. Not only has he continued to perfect his rocking-yet-traditional brand of country music, but he has also released several well-regarded gospel albums. His latest double, "Saturday Night/Sunday Morning," gives a double helping of music that will please both secular and sacred music fans. The country half is in keeping with ...
CD review - Nashville: Volume 1 - Tear the Woodpile Down Marty Stuart lives and breathes country music. It's in his blood through associations with folks like Johnny Cash. He's a huge collector of country's history, a photographer, and, oh yeah, quite a fine musician. Stuart returns for another superb disc of only 10 songs (that's the only criticism here in a tight 31 or so minute set) mixing his stellar, full-bodied Mississippi drawl vocals, great playing, an instrumental, a spoken word (not the first time he has done that) with ...


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