Sign up for newsletter
 

Avetts, Earls of Leicester join MerleFest line-up

Tuesday, January 6, 2015 – The Avett Brothers and the Earls of Leicester were added to the MerleFest line-up, it was announced today.

Jim Avett, father of two members of The Avett Brothers, also will appear at MerleFest, which will be held April 23-26 in Wilkesboro, N.C.

"We promised more surprises for our 2015 lineup, and I think these artists qualify as worth the wait," said Steve Johnson, artist relations manager for MerleFest. "We know that this will be welcome news to our fans, and we're excited to have this collection of diverse and talented artists on board for MerleFest this year."

"And by the way, there are still a few more surprises to be announced for this year's lineup. Stay tuned," he said.

The Avett Brothers will be making their seventh appearance at MerleFest this year. Formed in 2001 in Charlotte, N.C., The Avett Brothers include brothers Scott Avett on banjo and Seth Avett on guitar, along with stand-up bass player Bob Crawford, cellist Joe Kwon, Mike Marsh on drums, Paul Defiglia on keyboard and organ and Tania Elizabeth on violin.

In 2008, Jim Avett released his first album on Ramseur Records, "Jim Avett and Family," a collection of gospel songs recorded with daughter Bonnie and sons Scott and Seth of The Avett Brothers. In 2010, he returned with "Tribes," seven original songs that speak of love and loss and in 2012, continued on those themes on "Second Chance."

Jerry Douglas presents the Earls of Leicester, a group of like-minded musicians banding together to recreate the music of Lester Flatt and Earl Scruggs and the Foggy Mountain Boys. Led by 13-time Grammy-winner Douglas (band leader, Dobro), the Earls of Leicester features hit songwriter Shawn Camp (guitar, lead vocals), acclaimed banjoist Charlie Cushman, bassist Barry Bales (Douglas's cohort in Alison Krauss & Union Station) and fiddler Johnny Warren (son of Paul Warren, fiddle player in Flatt & Scruggs' Foggy Mountain Boys band). Their self-titled album was just nominated for a Grammy in the Best Bluegrass Album category.

The band plays selections from the era of 1954 to 1965. During these years, the band comprised Lester, Earl, Dobro player Josh Graves, fiddler Paul Warren, tenor singer and mandolinist Curly Seckler and bass player Jake Tullock.

Tickets for MerleFest 2015 are now on sale and may be purchased at www.MerleFest.org or by calling 1-800-343-7857. A three-tiered pricing structure is offered for MerleFest 2015: an Early Bird Tier 1 ticket discount is available through Feb. 15, an Early Bird Tier 2 ticket discount will run from Feb. 16 through April 22, and the third price tier will be gate pricing.

More news for The Avett Brothers

CD reviews for The Avett Brothers

True Sadness CD review - True Sadness
The Avett Brothers shows oftentimes offer some of the best bluegrass-inspired instrumental music around as brothers Seth and Scott surround themselves with highly skilled players. Albums, on the other hand, can sometimes be a significantly different matter. Songs on the new "True Sadness," for instance, reveal this act's well-developed introspective side. Sonically, "True Sadness" finds the group exploring beyond its rootsy, Americana expectations. »»»
The Carpenter CD review - The Carpenter
If songs give us glimpses into the songwriter's soul, then love and death weigh heavy on the minds of Scott and Seth Avett, the primary pens behind the music of The Avett Brothers. The evidence is written all over the 12 songs on the North Carolina-based trio's latest album "The Carpenter." Death plays a prominent role in The Once And Future Carpenter, the lead-off track, which offers an unconcerned look at the inevitable end of life with lines like: "And when the black »»»
Live, Volume 3 CD review - Live, Volume 3
There's no mystery to what The Avett Brothers sound like live because "Live, Volume 3" already represents the brothers' third official concert recording. Captured in Charlotte, N.C. in August 2009, right there in the guys' home state, these 16 songs touch upon the unusually wide range of emotions and styles covered by The Avett Brothers. You can hear a bit of the act's punk roots on Talk on Indolence, where vocals are shouted at one point, much more than sung. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Rising Appalachia buck the mainsteam, and that's fine with them – Rising Appalachia would not be accused of being in the musical mainstream. Not too many bands who combine folk and Appalachian sounds with new world music could possibly be. And that suits the sister-led duo of Chloe Smith and Leah Song just fine. In fact, at one point, Chloe made it clear she did not embrace radio play as a sign of success... »»»
Concert Review: Bingham plays with something to prove – Ryan Bingham mainly focused on songs from his sixth album "American Love Song," for this lively show. Backed by a supportive band that also included two female backup singers and a fiddler, Bingham's eclectic setlist touched upon country, singer/songwriter folk, rock and blues. Bingham reached for lively country sounds early on, with... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

The Mavericks "Play the Hits" When recording its album "Play the Hits," The Mavericks approached this covers album in much the same way the band creates any of its other studio albums. "Above all, we're always trying to reach a certain musical bar that we... »»»
Larue moves "Onward" The release of "Onward," his eighth studio album, finds veteran Texas Music/Red Dirt artist Stoney Larue at a crossroads. After almost two decades on the road, playing 200 shows a year across America and abroad, he has had success... »»»
Willis, Robison spin "Beautiful Lie" Eleven years ago, Kelly stepped away from music. She had just finished touring on 2007's exquisite "Translated From Love" and felt the angst of being a travelling musician with family at home. At that point, Willis and her husband, musician/producer Bruce Robison,... »»»
9 CD review - 9
Hollywood may be pushing a broadminded agenda where there are more genders than one can even count, but in Jason Aldean's world, there are only two: tough guys, and the women that love them. There's no confusion  »»»
Ocean CD review - Ocean
Lady Antebellum may lean a little too closely to pop music for many tastes, but it's hard to argue with the trio's song choices. And its latest collection is filled with many memorable songs. The single "What If I Never Get Over You," »»»
Thinkin' Problem CD review - Thinkin' Problem
Most hard core country fans certainly have heard David Ball's 1994 "Thinkin' Problem," a true honky tonk classic. Ominvore is releasing the album in remastered expanded format with eight bonus tracks, marking its 25th anniversary. »»»
Onward CD review - Onward
Veteran Texas artist Stoney Larue has been through a lot in 20 years of touring and recording and puts that experience to good use on his first release since 2015's "Just Us." "Onward" enlists veteran Nashville producer and songwriter Gary Nicholson  »»»
Travelin' Thru The Bootleg Series Vol. 15 1967-1969 featuring Johnny Cash CD review - Travelin' Thru The Bootleg Series Vol. 15 1967-1969 featuring Johnny Cash
All these many years later, Bob Dylan 'bootleg' songs are still better than many intentional studio releases from other artists. Although some might have been shocked at the time to learn of Dylan's sojourn south to Nashville »»»
Play the Hits CD review - Play the Hits
When The Mavericks call an album "Play The Hits," It really should be qualified as "Play The Selective Hits" because this band has never been especially interested in performing only what's commercially viable.  »»»