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Cash, Dylan producer Bob Johnston dies

Monday, August 17, 2015 – Bob Johnston, who produced Johnny Cash's "Live at San Quentin" and Bob Dylan's "Nashville Skyline," died on Monday in Nashville at 83.

Johnston also produced Leonard Cohen, Simon and Garfunkel, Willie Nelson, Flatt & Scruggs, The Byrds and Carl Perkins.

Johnston was born May 14, 1932 in Hillsboro, Texas. His mother, Diane, was musical as she wrote songs for Gene Autry and "Miles and Miles of Texas," which Asleep at the Wheel covered in 1976.

Johnston went into the Navy and returned to Fort Worth where he and his mother wrote songs for rockabilly singer Mac Curtis. Johnston also had his own career, recording rockabilly singles under the name Don Johnston, but he achieved little success.

He moved to New York in 1964 to work in production for Kapp Records. During his time in New York, he married songwriter Joy Byers. She wrote at least 16 songs for Elvis Presley films, which he later claimed that he helped write, but blamed contractual issues for only his wife receiving credit.

Johnston moved onto Columbia Records, including Patti Page, who had a 1965 hit with "Hush, Hush Sweet Charlotte."

Later that year, he produced Dylan's "Highway 61 Revisited," except for "Like a Rolling Stone." He later would produce major Dylan works "Blonde on Blonde," "John Wesley Harding," Nashville Skyline," "Self Portrait" and "New Morning."

He oversaw Simon and Garfunkel's "Sounds of Silence" and "Parsley, Sage, Rosemary and Thyme."

Johnston eventually left New York for Nashville where he became head of Columbia there. During the late 1960s and early 1970s, he produced Cash, including his prison discs, "At Folsom Prison," which was a highly successful album and helped restart Cash's career, and "At San Quentin" in 1968 and 1969 respectively. The latter contained the hit single, "A Boy Named Sue." Other Cash projects included "The Holy Land," "Hello, I'm Johnny Cash," "The Johnny Cash Show," "I Walk the Line" and "Little Fauss and Big Halsy."

For The Byrds, he helmed "Dr. Byrds & My Hyde."

Other artists he produced including Flatt & Scruggs, Michael Martin Murphey, Hoyt Axton, New Riders of the Purple Sage, Joe Ely, Willie Nelson (his attempt to pay back the IRS, "The IRS Tapes: Who'll Buy My Memories?") and Perkins ("Go Cat Go!")

More news for Johnny Cash

CD reviews for Johnny Cash

Koncert v Praze (In Prague-Live) CD review - Koncert v Praze (In Prague-Live)
Johnny Cash's live set was released on vinyl in Czechoslovakia in 1983. U.S. fans became aware of "Koncert v Praze (In Prague-Live)" when it was issued in the U.S. as part of the deluxe box set "Johnny Cash: The Complete Columbia Album Collection" in 2012. This marks the first time it was released as a single CD Recorded on-stage in Czechoslovakia in April 1978, - one of two recent reissues by the label of foreign concerts (the other was a Denmark show in December »»»
Man In Black: Live in Denmark 1971 CD review - Man In Black: Live in Denmark 1971
Like many icons who have since departed the planet, Johnny Cash left behind a legacy that continues to flourish - in the songs he left behind, in their interpretation by others and in the man's own recordings, which still sound as fresh and vital as they were when first released. This vintage concert offers a case in point. Recorded at the peak of his prowess, it finds him replaying his classic hits - "A Boy Named Sue," "Folsom Prison Blues," "I Walk the Line" »»»
Out Among the Stars CD review - Out Among the Stars
One would think that with all the archival music, reissues and postmortem tributes released on Johnny Cash's behalf, the vaults would have been scraped pretty clean by now, with only scraps left for dedicated completists to feast upon. So it comes as no small surprise to find that the Cash archivists actually uncovered some entire sessions that haven't been unearthed until now. Recorded in the early '80s, "Out Among The Stars" is such a high quality collection that it »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lil Smokies provide the perfect antidote – On a night when the world to be falling further apart thanks to coronavirus (this would be the night the NBA postponed the season), there stood The Lil Smokies to at least in some small measure save the day. The quintet is part of a generation of musicians with bluegrass as the basis, but not totally the sum of the music either.... »»»
Concert Review: White makes the case for himself, no matter how dark the music – John Paul White opined with a glint in his eyes that his songs were not of the uplifting variety. In fact, they were downright dark. How else to explain "The Long Way" with the line "long way home back to you." Or "James," a song inspired by his grandfather who suffered from dementia. But lest you think that the Alabama... »»»
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